The best of the 2021 Sydney Festival
Our highlights of the 2021 Sydney Festival.
Our pick of this year’s festival
THE (UNCERTAIN) FOUR SEASONS
The Sydney Symphony Orchestra will give the first performances at the Headland, a large outdoor stage that has been erected at Barangaroo on Sydney Harbour. It is a spectacular setting in which to enjoy some of the best of this year’s festival performances, under the stars and with the Harbour Bridge as a backdrop. The Headland was to have opened on Wednesday night with The Pulse, from Adelaide acrobatic troupe Gravity and Other Myths. While border closures have forced the cancellation of those performances, the Headland now will open with the SSO on January 12. The performance, called The (Uncertain) Four Seasons, uses Vivaldi’s famous music and sounds that evoke the world’s changing climate, based on climate prediction data. Introduced by filmmaker Damon Gameau. The Headland, Barangaroo Reserve, January 12.
SUNSHINE SUPER GIRL
Her winning smile and unbeatable skill on the court made Evonne Goolagong Australia’s sunshine super girl. This theatrical story of her life is a Sydney Festival highlight and coincides with the 50th anniversary of her first singles win at Wimbledon, in 1971. Andrea James, a Yorta-Yorta/Gunaikurnai woman and playwright, is behind this on-stage biography, saying that there is much in Goolagong’s story that is uplifting but also tragic and sad. Actress Tuuli Narkle takes centre court as Goolagong. Sydney Town Hall, Friday to January 17. Waitlist for tickets
DOUGLAS STUART
If Douglas Stuart’s novel Shuggie Bain isn’t on your summer reading list, it should be. It’s a semi-autobiographical account of his childhood growing up among the unemployed poor in Glasgow, and what he had to do to escape disadvantage.
It’s grim, and grimly humorous, such is Stuart’s sharply observant writing. Stuart now works as a fashion designer in New York, and pulled off the seemingly impossible feat of winning the Booker Prize with Shuggie Bain, his debut novel. He appears in a live-stream discussion from New York. Carriageworks, January 16.
SPIRIT: A RETROSPECTIVE
As the pre-eminent Indigenous performing arts group, Bangarra Dance Theatre could not be overlooked by Sydney Festival director Wesley Enoch, who has celebrated First Nations creativity throughout his five-year tenure. Spirit: A Retrospective looks back over the highlights of Bangarra’s incredible repertoire from the past 30 years, including work by its longstanding artistic director, Stephen Page. The festival also is screening a new documentary about Bangarra and the Page brothers, Firestarter, directed by Wayne Blair and Nel Minchin. The Headland, Barangaroo Reserve, January 20 to 24.
FUTURE REMAINS
Sydney Chamber Opera is a small and perfectly formed contemporary opera company under the artistic directorship of Jack Symonds. In this double bill, Symonds presents one of his favourite pieces, Leos Janacek’s song cycle about love and delusion, Diary of One Who Disappeared, beautifully staged on a minimalist set and directed by Alexander Berlage. It features tenor Andrew Goodwin as the young man who falls helplessly in love with a free-spirited girl, played by mezzosoprano Jessica O’Donoghue. Janacek’s piece is paired with a new piece by Huw Belling, Fumeblind Oracle, that imagines an unexpected next chapter to the tale. Carriageworks, Wednesday to Sunday.
Hindu epic opera renders mysteries of the universe
In its entirety the ancient Sanskrit poem is longer than the Iliad and the Odyssey put together so poses quite a challenge for anyone wanting to adapt it. Did they pull it off?
Relevance the ambition for festival’s new artistic director
Perth Festival’s new artistic director Anna Reece is ready to challenge expectations of what such an event is meant to be.