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Masked audiences for merry opera in Covid era

Finishing touches were added on Saturday as the Sydney Opera House prepared to host an opera crowd for the first time since March.

Star Julie Lea Goodwin at dress rehearsals for Opera Australia's production of The Merry Widow at the Sydney Opera House on Saturday. Picture: Brook Mitchell/Getty Images
Star Julie Lea Goodwin at dress rehearsals for Opera Australia's production of The Merry Widow at the Sydney Opera House on Saturday. Picture: Brook Mitchell/Getty Images

The finishing touches were being put on a glitzy show at the Sydney Opera House on Saturday, as the venue prepared to host an opera crowd for the first time since March despite virus restrictions.

The Merry Widow will open on Tuesday to masked audiences up to 75 per cent capacity, in a sign of hope for a performing arts industry crippled by the pandemic, artistic director Lyndon Terracini told AFP.

Lyndon Terracini, artistic director of Opera Australia, last November. Picture: Justin Lloyd
Lyndon Terracini, artistic director of Opera Australia, last November. Picture: Justin Lloyd

“Walking back into the theatre was a very emotional time for everyone involved,” he said.

“I think throughout this year, other opera houses will be opening very soon and people will be coming back to the theatre with a sense of hope.”

Thanks to Australia’s success in suppressing the virus, crowds inside venues — including the Sydney Opera House — have been permitted in the country’s most populous city for months.

But even as the performers readied for their opening night, an outbreak in the city forced officials to tighten restrictions — including a new mandate on mask-wearing on public transport and in many indoor settings from midnight on Saturday.

The outbreak of over 180 cases first emerged in December in Sydney’s northeast but has since sparked other clusters, including in Melbourne.

Areas of Sydney remain under lockdown and officials have suggested further restrictions may be needed to curb the spread — which could include a change to audiences at indoor performances.

Julie Lea Goodwin, who plays the role of Hanna, with Alexander Lewis as her love interest Danilo Danilovich during dress rehearsals for Opera Australia's production of The Merry Widow at the Sydney Opera House on Saturday. Picture: Brook Mitchell/Getty Images
Julie Lea Goodwin, who plays the role of Hanna, with Alexander Lewis as her love interest Danilo Danilovich during dress rehearsals for Opera Australia's production of The Merry Widow at the Sydney Opera House on Saturday. Picture: Brook Mitchell/Getty Images

Julie Lea Goodwin, who leads the show along with Alexander Lewis, said she was thrilled to be back performing but after a nine-month hiatus the uncertainty of the pandemic still loomed.

“I have no idea what’s ahead,” Goodwin said.

“I think that Australia is doing an unbelievable job … but it’s just going to be a process for the next year, I’d say, or longer.”

Australia has recorded over 28,400 cases of the virus and 909 deaths linked to COVID-19 in a population of about 25 million.

AFP

Hair and make-up are done for a performer before the dress rehearsals on Saturday. Picture: Brook Mitchell/Getty Images
Hair and make-up are done for a performer before the dress rehearsals on Saturday. Picture: Brook Mitchell/Getty Images
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Original URL: https://www.theaustralian.com.au/arts/stage/masked-audiences-for-merry-opera-in-covid-era/news-story/ee3b70ebb98d5052fe9dd8f1294ae1f9