NewsBite

Comic Alan Davies and Harry Houdini’s magic

Still referred to as the greatest magician who ever lived, Houdini was the original adrenalin junkie.

Alan Davies, left, talks to illusionist David Copperfield in <i>The Magic of Houdini. </i>
Alan Davies, left, talks to illusionist David Copperfield in The Magic of Houdini.

Comedian Alan Davies was fascinated with the world of magic when he was a boy — he even had a wand. As he says, when he was growing up in the 1970s you couldn’t turn on the TV without seeing a lady being sawn in half. In this diverting film, he explores the extraordinary life of Harry Houdini, the man who against the odds became one of the most successful entertainers.

Still referred to as the greatest magician who ever lived, Houdini was the original adrenalin junkie who became famous for escaping not only from handcuffs, ropes, straitjackets and water tanks but from milk cans, mailbags and steamer trunks, often in front of audiences of 100,000 people.

Houdini’s last stunt, the “Challenge of the Egyptian Mystic”, involved being locked in an airtight casket and dropped to the bottom of a swimming pool, where he remained for 1½ hours.

The amiable Davies is the perfect choice to explore the master illusionist’s universe given that in his long-running television series he played the tousled-haired Jonathan Creek, who found an ideal profession designing illusions for a magician.

In this film, which is directed and produced by Louise Hooper, he immerses himself in the entertainer’s world, holding his breath under ice-cold water, laying on a bed of nails, being sawn in half and getting strung upside down in a straitjacket.

In his bid to understand why Houdini felt compelled to perform such death-defying acts, Davies visits New York where the then Eric Weiss arrived as a child with his Hungarian immigrant family, and made his entry into show business aged nine, performing as a trapeze artist.

The Magic of Houdini with Alan Davies, Wednesday, 7.30pm, History (611).

ALSO RECOMMENDED

A scene from INXS: Never Tear Us Apart.
A scene from INXS: Never Tear Us Apart.

BIOPIC

INXS: Never Tear Us Apart

Presto streaming

DRAMA

Treme

Saturday, 6.20pm, Box Sets (116)

REALITY

Lone Star Law

Tuesday, 9.30pm, Animal Planet (615)

DOCUMENTARY

JFK: The Lost Bullet

Thursday, 8.30pm, Nat Geo (610)

BLUNDELL’S BITES

Lennon: Love is All You Need

Saturday, 7.30pm, Foxtel Arts (133)

Fifty years after the Beatles’ final concert in San Francisco’s Candlestick Park, Foxtel Arts is presenting live performances and documentaries each Saturday night this month. This 90-minute film features Lennon the man, rather than Lennon the musician or songwriter (though there’s discussion of the recording session that produced the Beatles’ version of Twist and Shout), and follows him as he performs with the Beatles, falls in love — there’s an interview with first wife Cynthia — and ultimately meets his tragic and untimely death in Manhattan in 1980. There’s also a rare chat with Lennon and Yoko Ono from 1968, in which they discuss their first meeting and the artistic respect they have for each other.

Botched by Nature

Thursday, 9pm, E! (125)

This show is a spin-off from the hugely successful — and it must be said addictive — Botched, which featured Los Angeles-based plastic surgeons fixing cosmetic surgery jobs gone horribly wrong. This new series brings back some altruism to the equation. The two highly agreeable medicos travel the country to transform the lives of those who have been disfigured at birth or by accident.

A Very Secret Service

Netflix streaming

Netflix has just released locally this French comedy series (Au service de la France) and it’s a pleasing and entertaining alternative to the noirish Gallic dramas you may have encountered on SBS, such as the marvellous Spiral and the ultra-violent Braquo, one of the all-time great cop shows. The streamer has obviously cottoned on to the fact many of the older series in its ever-expanding library were not so good in the first place or have dated badly, so it’s reaching further into the slate of foreign shows, still the rage after the Danish invasion of The Killing, The Bridge and Borgen. Expensively produced, this Netflix series was conceived as a cross between James Bond movies and The Office. It was deliberately created for the international TV market with appeal to high-end channels that have viewers who don’t disdain foreign language programs. Set in the late 1950s, it follows a young operative of a Parisian secret service organisation that still sees France as a colonial superpower, with threats to its power lurking around every corner.

PAY-TV FILMS

One of Alfred Hitchcock’s classics, Rear Window (Monday, 8.35pm, Fox Classics) is a celebration of the provocative craft of the droll, corpulent director of scores of psychological thrillers, who for more than a half-century was the master of menace and the macabre. For the entire movie — except for one shot — his camera is situated in photographer James Stewart’s Greenwich Village apartment so we too can experience how trapped he feels stuck in a wheelchair with a broken leg. Staring from his rear window he studies the life and behaviour of his neighbours across the courtyard.

Sidney Lumet’s Serpico (Thursday, 3.05am, Masterpiece), starring Al Pacino as a nonconformist New York cop, is another of the celebrated director’s reflections on the moral and political culture of America in the 1970s.

Frank Langella, left, and Michael Sheen in Frost/Nixon.
Frank Langella, left, and Michael Sheen in Frost/Nixon.

And Ron Howard’s Frost/Nixon (Friday, 8.30pm, Masterpiece) is the dramatic reimagining of the story behind the notorious 1977 interviews between British television personality David Frost and disgraced former US president Richard Nixon. Michael Sheen and Frank Langella are so convincing in their respective roles, it’s possible to temporarily forget their real-life counterparts.

Add your comment to this story

To join the conversation, please Don't have an account? Register

Join the conversation, you are commenting as Logout

Original URL: https://www.theaustralian.com.au/arts/review/comic-alan-davies-and-harry-houdinis-magic/news-story/e9903ef9f41c990ccf707942d36bb2aa