NewsBite

Bluesfest 2022 returns after a three-year lay-off to blow pandemic blues away

For the first time since 2019, one of Australia’s biggest multi-day music festivals has roared back to life at full volume, as Byron Bay Bluesfest returns across the Easter long weekend.

Festival goers backstage at Byron Bay’s Bluesfest, from left: Ozzy, Sadie, Courtney Hall and Evie Dennis. Picture: Jane Dempster
Festival goers backstage at Byron Bay’s Bluesfest, from left: Ozzy, Sadie, Courtney Hall and Evie Dennis. Picture: Jane Dempster

For the first time since 2019, one of Australia’s biggest multi-day music festivals has roared back to life at full volume, as Bluesfest returns across the Easter long weekend.

Situated north of Byron Bay and featuring the cream of the ­nation’s best rock, pop, blues, roots and country acts, the five-day camping event will see about 90,000 revellers in attendance through to Monday.

“It’s busy, and I feel like everyone’s excited to get here and make the most of it,” said Evie Dennis, who was introducing her children to the Bluesfest experience, complete with gumboots and matching earmuffs.

Headline artists include Midnight Oil, Crowded House, Paul Kelly, and Jimmy Barnes, as well as a few international acts such as The Wailers, George Benson and Morcheeba.

Scattered showers fell on Friday, but the otherwise sunny forecast predicts nothing like the torrential rain seen across the ­region in recent months.

For the Hunter family, who travelled from Maitland in the NSW Hunter Valley to set up their campsite on Thursday, it was an opportunity to soak up one of the great Australian musical traditions with two of their four children.

“We looked at the line-up and we thought, ‘What the hell? Let’s just do it. We’re going to Byron this year’,” Kyle Hunter told The Weekend Australian on Friday.”

“It’s so good to have live music back,” he said. “You can see it in the musos as well: they’ve started playing the odd show prior to this, but to have decent crowds again – they’re loving it. We’re thriving off their energy, and they are thriving off ours.”

Other than abundant hand sanitiser throughout the venue, there are few obvious signs of the dreaded coronavirus and associated restrictions, which have greatly affected live music workers and their fans over the past two years.

“It’s just good to be able to get out there and dance and not worry – and not have to sit down at a concert,” said Tammy Hunter. “We’re first-timers, but we’ll definitely come back.”

Andrew McMillen
Andrew McMillenMusic Writer

Andrew McMillen is an award-winning journalist and author based in Brisbane. Since January 2018, he has worked as national music writer at The Australian. Previously, his feature writing has been published in The New York Times, Rolling Stone and GQ. He won the feature writing category at the Queensland Clarion Awards in 2017 for a story published in The Weekend Australian Magazine, and won the freelance journalism category at the Queensland Clarion Awards from 2015–2017. In 2014, UQP published his book Talking Smack: Honest Conversations About Drugs, a collection of stories that featured 14 prominent Australian musicians.

Add your comment to this story

To join the conversation, please Don't have an account? Register

Join the conversation, you are commenting as Logout

Original URL: https://www.theaustralian.com.au/arts/music/bluesfest-2022-returns-after-a-threeyear-layoff-to-blow-pandemic-blues-away/news-story/f772795087d5666d98d7992ce2fb59f0