The most striking effect of the exhibition is the tone of despair and cynicism which seems to be the direct expression of the collapse of certainties.
Prostitute and War Wounded (detail), 1923, by Otto Dix.
German dilemmasThe Mad Square, at the Art Gallery of NSW, demonstrates the near collapse of civilised life under the stress of war and military defeat in Germany after World War I.
The most striking effect of the exhibition is the tone of despair and cynicism which seems to be the direct expression of the collapse of certainties.
Prostitute and War Wounded (detail), 1923, by Otto Dix.
German dilemmasA photomontage of Adolf Hitler shown with a spine of gold coins juxtaposes the pronouncements of Nazi propaganda with the misery of widespread poverty.
Adolf the Superman (detail), 1932, by John Heartfield 1932.
German dilemmasThe Mad Square (detail), 1931, by Felix Nussbaum.
German dilemmasApocalyptic Landscape (detail), 1913, by Ludwig Meidner 1913.
German dilemmasMetropolis (detail), 1926, by Graul Werner 1926.
German dilemmasMemorial for Karl Liebknecht (detail), 1919-20, by Kathe Kollwitz.
German dilemmasImaginary Bridge (detail), 1926, by Hannah Hoch.
German dilemmasBlue Angel (detail), 1930, by Josef von Sternberg 1930.
German dilemmasSleepers of Fort Vaux (detail), 1924, by Otto Dix 1924.
German dilemmasCup and Saucer, 1921, by Wassily Kandinsky.
German dilemmasHedwig Schrimpf (detail), 1922, by George Schrimpf 1922.
German dilemmasSecretary at West German Radio in Cologne (detail), 1931, by August Sander.
German dilemmasOriginal URL: https://www.theaustralian.com.au/arts/image-gallery/70119c057b75e36af0e0f35d3e1a380c