Why Seinfeld’s Unfrosted proves he’s untouchable
It’s packed full of cameos from his celebrity pals. But Jerry Seinfeld’s ode to cereal still fails to snap, crackle and pop, writes Leigh Paatsch.
Leigh Paatsch
‘Genuine sizzle’: Hathaway shines in new rom-com
Anne Hathaway fits flawlessly with Nicholas Galitzine in a movie version which adds emotional depth to a winning story, writes Leigh Paatsch.
Why Gosling-Blunt action rom-com falls flat
Despite spectacular stunts and romantic fireworks, the Aussie-filmed The Fall Guy is flawed, writes Leigh Paatsch.
‘Spectacular’: Zendaya scores film grand slam
Both a great sports movie and unconventionally riveting romantic drama, Challengers volleys the audience back and forth to reveal what is riding on a tennis match, writes Leigh Paatsch.
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Why Denzel’s new Equalizer film is best in franchise
Denzel Washington knocks it out of the park with a riveting performance in The Equalizer 3, writes Leigh Paatsch.
Passion project: Why TMNT reboot kicks butt
The world didn’t need another Teenage Mutant Ninja Turtle movie, but Leigh Paatsch explains why long-time fan Seth Rogen’s reboot is the best yet.
Why low budget love story rivals Oppenheimer as year’s best
It was made with a fraction of the budget, but a Korean romance could spoil the party for the mighty Oppenheimer during the coming awards season, writes Leigh Paatsch.
Dog movie that will have you laughing out loud
A new movie featuring antics of badly-behaved dogs starts stronger than any screen comedy I can recall in the past five years, writes Leigh Paatsch.
Why absurd movie drew A-list cast
A-listers such as Scarlett Johansson and Tom Hanks fall over themselves to work with director Wes Anderson – and his latest comedy Asteroid City shows why.
Low-budget Aussie horror film killing it at US box office
Simple but very effective, a low-budget Australian horror film by two Adelaide brothers has already made a big impact at the US box office. See review.
First review: Why Oppenheimer is cinema at its very best
Christopher Nolan’s biopic Oppenheimer shows the great heights that cinema can hit and all but assures an Oscar for leading man Cillian Murphy.
First review: Why the new Barbie movie just isn’t for kids
After months of hype and unprecedented levels of pinkness, Margot Robbie’s Barbie movie is finally here. But it’s definitely not for kids. See review.
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