Why Gru’s crew is still genuinely amusing
Despicable Me 4 proves the adventures of Gru and his ever-expanding entourage won’t be getting old any time soon, writes Leigh Paatsch.
Despicable Me 4 proves the adventures of Gru and his ever-expanding entourage won’t be getting old any time soon, writes Leigh Paatsch.
Hit Man, starring Top Gun and Anyone But You’s Glen Powell, is on target to be one of the best movies of 2024, writes Leigh Paatsch.
Bickering-buddies bond saves fourth Bad Boys movie from wearing out its welcome, while a light comedy gets female friendship right, writes Leigh Paatsch.
The Garfield Movie attempts something new before losing its way, while JLo struggles with AI in sci-fi with more action than science, writes Leigh Paatsch.
A compromised Killers Of the Flower Moon is saved by the terrifying true story it is privileged to tell, writes Leigh Paatsch.
Expend4bles ain’t about to go messing with the winning, wincing formula of he-men, optional dialogue and high body count, writes Leigh Paatsch.
The Exorcist was one of the scariest mainstream motion pictures of all time. With this new sequel, you will have no choice but to listen, and no choice but to be scared, writes Leigh Paatsch.
The Creator will come to be regarded by most sci-fi enthusiasts as an honourably flawed, yet a totally admirable movie experience, writes Leigh Paatsch.
Liam Neeson redeems himself admirably with his latest 70-year-old-bloke-about-to-snap opus, writes Leigh Paatsch.
Kenneth Branagh is back as famous detective Hercule Poirot and the mysteries are twistier than ever, writes Leigh Paatsch.
Denzel Washington knocks it out of the park with a riveting performance in The Equalizer 3, writes Leigh Paatsch.
The world didn’t need another Teenage Mutant Ninja Turtle movie, but Leigh Paatsch explains why long-time fan Seth Rogen’s reboot is the best yet.
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