Why Keaton is only saving (dis)grace for average sequel
Despite Michael Keaton having the time of his afterlife, there’s not enough of his coffin-tipping high-jinks to carry Beetlejuice Beetlejuice to greatness, writes Leigh Paatsch.
Despite Michael Keaton having the time of his afterlife, there’s not enough of his coffin-tipping high-jinks to carry Beetlejuice Beetlejuice to greatness, writes Leigh Paatsch.
With neither the damaging energy nor the distinctive look of its predecessor, The Crow reboot has little chance of any afterlife sequel-wise, writes Leigh Paatsch.
Channing Tatum and Zoe Kravitz turn up the levels of mysterious malevolence in thought-provoking psychological thriller, writes Leigh Paatsch.
The latest Alien film is not a sequel-ish reboot. It really is a terrifying addition to the franchise, writes Leigh Paatsch.
Marisa Abela’s portrayal of Amy Winehouse elevates new biopic Back to Black to the next level, writes Leigh Paatsch.
Lion and Slumdog Millionaire star Dev Patel’s performance in action flick Monkey Man will propel him towards bigger and better things, writes Leigh Paatsch.
From a family favourite to a MonsterVerse smash-’em-up spectacle, take a look at these top movies to keep you entertained this Easter long weekend.
The fifth Ghostbusters movie arrives just in time to commemorate the franchise’s 40th anniversary but its feel-good forward-momentum will keep this series going, writes Leigh Paatsch.
Some lively language and shrewdly relevant commentary makes Wicked Little Letters quite a spicily satisfactory affair, writes Leigh Paatsch.
A performer of Sir Michael Caine’s elevated standing could not have landed upon a more apt – nor affecting – role with which to bid audiences farewell, writes Leigh Paatsch.
Movies executed on the sprawling, daunting scale of Dune: Part Two don’t come along every day, writes Leigh Paatsch.
The Zone of Interest is destined to be regarded as one of the most powerful, provocative and lastingly eloquent statements on the Holocaust to ever grace a cinema, writes Leigh Paatsch.
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