You don’t want an invite to this party
IT isn’t the most pungent film Melissa McCarthy has made lately, but lame comedy Life of the Party is consistently faintly on the nose throughout, says Leigh Paatsch.
IT isn’t the most pungent film Melissa McCarthy has made lately, but lame comedy Life of the Party is consistently faintly on the nose throughout, says Leigh Paatsch.
FEEL free to issue one long, satisfying sigh of relief — Deadpool 2 is every bit as great and grotesquely funny as the original.
IT’S cold, wet and miserable outside — what a perfect opportunity for a comfy couch and your favourite streaming service. Leigh Paatsch reviews the latest shows to stream.
REVIEW: STEEL yourself in advance for Chappaquiddick, a quietly provocative, poignantly compelling docu-drama chronicling the true story of one of the most diabolical cover-ups in US history.
JERSEY Boys: Clint Eastwood’s rags-to-riches-to-ructions musical delivers much more than a bunch of catchy tunes.
TIM’S Vermeer: Can a man who has never picked up a brush before recreate the works of a master? And did that famous artist really “paint” at all?
CALVARY: An extraordinary conversation in the confessional kicks of a gripping drama that’s not so much a whodunit as a whosaidit.
RIO 2: Dead-set city slicker Blu struggles to fit in with his jungle surrounds — and a frumpy father-in-law — in this so-so sequel.
LOOKING for a way to entertain the kids these school holidays? Here’s Leigh Paatsch’s picks for the best and worst films for kids and parents.
THE Last Impresario: Parties, drugs and stellar celebrity pals all but defined one of the most connected individuals in showbiz history — and all but destroyed him as well.
THE Two Faces of January: A downmarket incident at an upmarket hotel is at the centre of a skilful thriller that will have you firmly in its grip.
22 JUMP Street: Channing Tatum and Jonah Hill share a rare comedic connection that money just can’t buy in a film that cracks plenty of strong gags at its own expense.
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