Ladies in Black is all sweetness and light
LADIES in Black is a sincerely sweet bundle of nostalgic joy, unwrapped amid a lovely, light-drenched and laid-back Sydney we will never see the likes of again.
LADIES in Black is a sincerely sweet bundle of nostalgic joy, unwrapped amid a lovely, light-drenched and laid-back Sydney we will never see the likes of again.
A DOCUMENTARY wrestling with the life and legacy of Andre the Giant, a gritty hip-hop classic and one for the romantics. There’s a movie for every taste in this week’s streaming guide.
THE charm of Christopher Robin resides in the comforting manner in which the likes of Pooh, Piglet, Tigger, Roo, Owl and the incomparable Eeyore have been brought to believable life.
A SIMPLE Favour is a slo-mo trainwreck of a movie that is never entirely sure what it wants to be. All that remains by the end is a soft-headed, sour-hearted farce where you can sense even the cast and crew wish the whole thing was over already.
REVIEW: Dwayne ‘The Rock’ Johnson has never grappled with an adversary he couldn’t eventually pin down. So the mega-quake in San Andreas is no biggie.
REVIEW: It’s got an all-star cast and visual treats galore. But Tomorrowland is a bloated and confused mess that not even George Clooney can save.
REVIEW: Three decades later, Hollywood is hitting us with a second serving of Poltergeist. But is the remake as frightening as the original?
REVIEW: With Melissa McCarthy as a bumbling CIA agent and hard man Jason Statham in his first comic role, there’s lots to like about Spy.
REVIEW: The unlikely combination of Ryan Reynolds and Helen Mirren works in Woman in Gold.
ONLY a small handful of movies have ever got film critic Leigh Paatsch’s five star rating. The new Mad Max is the latest to receive the honour. Find out why.
REVIEW: A Royal Night Out, loosely based on events in London on VE Day in 1945, starring Sarah Gadon, is a ‘ferociously fluffy light comedy’.
REVIEW: From its mesmerising opening scenes to its high-octane conclusion, Mad Max: Fury Road is nothing short of a modern masterpiece, writes Leigh Paatsch.
Original URL: https://www.couriermail.com.au/entertainment/movies/leigh-paatsch/page/174