Why Michael Fassbender’s assassin is ‘brilliant’
The immaculately designed The Killer is a compelling journey deep inside the head of its subject, writes Leigh Paatsch.
Leigh Paatsch
‘Distinctly mis-focused’: Why Scorsese misses marks
A compromised Killers Of the Flower Moon is saved by the terrifying true story it is privileged to tell, writes Leigh Paatsch.
Expend4bles nails gory glory days of action
Expend4bles ain’t about to go messing with the winning, wincing formula of he-men, optional dialogue and high body count, writes Leigh Paatsch.
‘Worthy addition’: Why devil franchise is back in business
The Exorcist was one of the scariest mainstream motion pictures of all time. With this new sequel, you will have no choice but to listen, and no choice but to be scared, writes Leigh Paatsch.
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Original URL: https://www.couriermail.com.au/entertainment/movies/leigh-paatsch/page/17