Award-winner Giamatti elevates The Holdovers
With Paul Giamatti at the peak of his oratory powers, The Holdovers is full of deep feeling, great humour and refreshing authenticity, writes Leigh Paatsch.
Leigh Paatsch
Why high-octane Ferrari biopic not just for petrolheads
Thanks to brilliant performances from Adam Driver and Penelope Cruz, Michael Mann’s biopic of racing great Enzo Ferrari is a triumph both on and off the track.
Why new Aquaman is a sorry, soggy, superhero sequel
After the DC stinker The Flash and other recent Marvel misfires, superhero movie fatigue is finally here, writes Leigh Paatsch.
Why Poor Things is brilliantly bonkers
The brilliant and bizarre comedy-drama Poor Things is like nothing you have ever seen before and might well win Emma Stone another Best Actress Oscar
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