Charli XCX unleashes ‘Brat’ summer at Brisbane Festival
Ass grabbing and gyrating club rave hits were centre stage in Brisbane last night as ‘Brat summer’ took over.
Ass grabbing and gyrating club rave hits were centre stage in Brisbane last night as ‘Brat summer’ took over.
Like the North Queensland Cowboys, Dancenorth are hitting a sweet spot and their Brisbane show is positively transcendental, writes Phil Brown.
Messing around with Shakespeare can sometimes dilute the brand but Queensland Theatre’s Othello set in the Torres Strait is a gambit that turns out to be a stroke of genius
Brisbane Festival’s ingenious river-going exhibit really floated Phil Brown’s boat. But it wasn’t without its awkward moments.
It’s a 45-minute show in which dancers are told what to do by a computer and if that sounds weird it is, writes Phil Brown, but in a good way.
You don’t expect one of the stars of a show to pee on stage but with this Brisbane Festival headline show at Powerhouse, anything can and will happen, writes Phil Brown.
The anticipation for the stage adaptation of Trent Dalton’s Boy Swallows Universe has been akin to the Second Coming, but the premiere of the show was brought to a shuddering halt. Read Phil Brown’s review.
The perfect composed Saturday night with a few friends and a few drinks, as Noonan and band perform reinterpretations of 80s songs which “hands down” shaped her career and the night.
The mysterious event answered all the questions you went in with and found within, but only if you opened up your mind and a bottle of cheap wine with a stranger.
The performances are brief and no notice is given because they don’t want too many spectators. Welcome to Brisbane Festival in the age of COVID-19, when the show comes to you.
Silence is a new dance work that challenges Australia’s nationhood and pokes fun at 25o years of occupation by interlopers who should really be paying rent.
Original URL: https://www.couriermail.com.au/entertainment/brisbane-festival/reviews