Of all of William Shakespeare’s works, Coriolanus is his most political. So when Bell Shakespeare set up a run of the play they must have known how well-heeled the audience would end up being.
Hazem Shammas and Peter Carroll in Bell Shakespeare’s Coriolanus. Brett Boardman
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Mark Di Stefano is Rear Window columnist, based in the Sydney newsroom. He previously worked at BuzzFeed, the Financial Times and The Information before joining the Financial Review as a media and tech correspondent. Connect with Mark on Twitter. Email Mark at mark.distefano@afr.com
