In 1927, a 24-year-old Charlotte Perriand turned up at the Paris atelier of Swiss architect Le Corbusier to apply for a position, only to be greeted by the gnarly mâitre with “Mademoiselle, we don’t embroider cushions here.” Nonetheless, a month later, having seen her gleaming chrome Bar Sous le Toît (Bar Under the Roof) at the annual Salone d’Automne, the Swiss called the miss and gave her a job.
For the next 10 years, Perriand designed the interior fittings of Corbu’s residences, including the iconic steel-framed LC series of furniture attributed, as the initials attest, to Le Corbusier’s own catalogue – until an exhibition at London’s Design Museum about 70 years later flipped the lid on the true story.