Is there still merit in sales dedicated solely to women’s art, or has the ground shifted sufficiently that we can move on?

A rudimentary measure might involve looking at the top ten prices achieved at auction so far this year – only one of the artworks is by a woman, Ethel Carrick Fox. Another measure might be to look at the top ten most-traded artists this year – Emily Kame Kngwarreye and Cressida Campbell sneak in at positions nine and ten respectively. The rest are male.