Two new films in which white men aren’t villains
George Clooney’s The Boys in the Boat is an old-fashioned romance that’s also true, and Paul Giamatti delivers an award-worthy performance in The Holdovers.
In those heady days when John Wayne was dispatching hostile “injuns” by the dozen, no one could have envisaged Hollywood making clean-cut white Americans into the bad guys. It would have taken a clairvoyant to predict the tide of identity politics that has swept over the United States in recent times, engendering a new generation of heroic role models that might be female or African American, Asian or Latino.
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