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The Handmaid’s Tale reveals the limits of dystopian television

The Handmaid’s Tale reveals the limits of dystopian television

Six seasons of suffering proved more than enough for many viewers.

Elisabeth Moss in a scene from The Handmaid's Tale.  GEORGE KRAYCHYK

In 2017 a troubling vision of America arrived on television screens. Based on Margaret Atwood’s novel of 1985, The Handmaid’s Tale depicted a country that had been transformed into Gilead, a theocratic dictatorship. Women were stripped of their civil rights. Those who were fertile were enslaved as “handmaids”, childbearing vessels for the ruling class.

The show had its premiere on Hulu, a streaming service, not long after Donald Trump’s inauguration, when people feared democratic backsliding and the creep of religious fundamentalism into politics.

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The Economist

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Original URL: https://www.afr.com/life-and-luxury/arts-and-culture/the-handmaid-s-tale-reveals-the-limits-of-dystopian-television-20250529-p5m3dx