It takes a moment before one recognises those first four notes in the jazzy theme music for Mrs. America. It’s a "switched-on" version of Beethoven’s Fifth – in the composer’s own famous words: “The sound of fate knocking on the door.” But for whom does it knock?
Is it for Phyllis Schlafly, the formidable conservative matron who sets out to defend American family values against the feminist revolution of the 1970s, or is it for the feminists themselves?