The Rite of Spring/common ground[s] | Adelaide Festival 2022 review
In this coming of Spring there are no nymphs and shepherds, rather a violent, pagan ceremony. It’s stunning.
In this coming of Spring there are no nymphs and shepherds, rather a violent, pagan ceremony. It’s stunning.
A macabre interpretation of Nikolai Rimsky-Korsakov’s opera about the folly of Russian warmongering is uncannily timed.
Covid has forced one of the Adelaide Festival’s artistic directors into isolation hours before the opening, as Ukrainian and Russian performers unite for the premiere.
Justine Clarke’s luminous performance in Girls & Boys makes it a powerhouse, edgy production not to be missed.
The winner of Country Arts SA’s Breaking Ground award will use it to research and develop artistic traditions from her Flinders Ranges homelands as part of the SALA Festival.
Community centres will provide sanctuary for audiences when the Adelaide Symphony Orchestra returns to live performances.
An exhibition about samurai culture gives new meaning to the art of war at the Art Gallery of South Australia.
The impact of COVID-19 and social distancing inspired many works in this month’s South Australian Living Artists Festival and has even changed the shape of the event itself.
Artworks are walking out the door – on the heads of customers – in the Beanies to Berets exhibition at Onkaparinga Gallery.
The curtain will rise with guided public tours of the newly renovated Her Majesty’s Theatre in August, before shows resume at the venue in September.
Original URL: https://www.adelaidenow.com.au/entertainment/arts/page/60