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Jake Wilson is a film critic for The Age and The Sydney Morning Herald.

Michael Keaton returns to his Mr Mom roots in this old-fashioned slice of life
★★★
Review

Michael Keaton returns to his Mr Mom roots in this old-fashioned slice of life

In Goodrich, he plays a gallery owner who must look after his nine-year-old twins when their mother leaves to go to rehab.

  • by Jake Wilson

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Confused? That seems to be the whole point of this movie
★★★½
Review

Confused? That seems to be the whole point of this movie

The plot is familiar in Christmas Eve in Miller’s Point, but it comes with a subtle twist.

  • by Jake Wilson
Mescal is the star of Gladiator II, but Denzel Washington steals the show
★★★
Review

Mescal is the star of Gladiator II, but Denzel Washington steals the show

As the gladiator Lucius, Paul Mescal wisely doesn’t try to emulate Russell Crowe’s swagger in the original film.

  • by Jake Wilson
The Rock’s Christmas comedy is neither naughty nor nice
★★
Review

The Rock’s Christmas comedy is neither naughty nor nice

As seasonal cash-grabs go, Red One is relatively benign – and it never transcends its status as a family-friendly product.

  • by Jake Wilson
Saturday Night Live’s origin story gets lost in the nostalgia
★★
Review

Saturday Night Live’s origin story gets lost in the nostalgia

Director Jason Reitman’s fanfic is crammed with characters and subplots, yet it is too micromanaged to convey any real feeling of anarchy.

  • by Jake Wilson
Tom Hardy’s final monster mash-up has well and truly lost its bite
★★
Review

Tom Hardy’s final monster mash-up has well and truly lost its bite

The spirit of resignation is all over Venom: The Last Dance, which feels like a contractual obligation for everyone involved.

  • by Jake Wilson
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Impersonating Donald Trump is a losing proposition, but Sebastian Stan nails it
★★★
Review

Impersonating Donald Trump is a losing proposition, but Sebastian Stan nails it

The Apprentice is an origin story and a buddy movie about two men who would go on to change the course of history.

  • by Jake Wilson
You will believe a man can cry: Laying bare Christopher Reeve’s vulnerabilities

You will believe a man can cry: Laying bare Christopher Reeve’s vulnerabilities

The archetypal Superman’s personal story is every bit as dramatic as one of his movies.

  • by Jake Wilson
The Critic is nasty but not nasty enough (as a critic, I would say that)
★★½
Review

The Critic is nasty but not nasty enough (as a critic, I would say that)

This sordid yet cosy British melodrama starring Ian McKellen is full of people behaving badly, but it never quite comes together.

  • by Jake Wilson
France’s most successful film bromance finds the funny side of debt

France’s most successful film bromance finds the funny side of debt

After striking gold with The Intouchables, Olivier Nakache and Eric Toledano return with A Difficult Year – and it’s not as dark as you think.

  • by Jake Wilson
Demi Moore’s audacious body horror dives beneath the surface
★★★½
Review

Demi Moore’s audacious body horror dives beneath the surface

The Substance is a morbid satire on Hollywood, the beauty industry and the dream of eternal youth.

  • by Jake Wilson

Original URL: https://www.watoday.com.au/by/jake-wilson-hvex8