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Barney Zwartz, a senior fellow of the Centre for Public Christianity, was religion editor of The Age from 2002 to 2013.

Why peace is a central promise of Christmas

Why peace is a central promise of Christmas

On the cusp of Christmas, faith and hope entwine as thoughts turn to peace.

  • by Barney Zwartz

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For a Christian, asking ‘why pray?’ makes no sense

For a Christian, asking ‘why pray?’ makes no sense

Prayer brings one closer to God, and closer to the people for whom one prays.

  • by Barney Zwartz
Gangsters and toy koalas: This unknotting of a sibling relationship is oddly affecting

Gangsters and toy koalas: This unknotting of a sibling relationship is oddly affecting

A portrait of a dysfunctional family loving each other in the ways they know best, Golden Blood is a story of yearning and ambition.

  • by Sonia Nair, Barney Zwartz, Michael Dwyer, Giselle Au-Nhien Nguyen and Jessica Nicholas
Halloween’s occult origins give way to fun and community-building
Opinion
Religion

Halloween’s occult origins give way to fun and community-building

Many religious believers dislike Halloween because of its connections with the occult. But scarcely anyone today accords the occasion any spiritual significance – it’s all about the lollies.

  • by Barney Zwartz
Christie Whelan Browne’s hilarious cabaret serves up rare authenticity
★★★★★
Melbourne live reviews

Christie Whelan Browne’s hilarious cabaret serves up rare authenticity

The zany, raw, warts-and-all Life in Plastic follows Whelan Browne’s own journey from the irrepressible awkwardness of girlhood to stardom.

  • by Andrew Fuhrmann, Will Cox, Cameron Woodhead and Barney Zwartz
Without a time machine, this is the closest you’ll get to hearing Mozart play

Without a time machine, this is the closest you’ll get to hearing Mozart play

Musical polymath Francesco Corti will play a replica of Mozart’s fortepiano in a series of concerts this month – but how does it compare to the real thing?

  • by Barney Zwartz
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Catharsis and high kicks: Olivia Rodrigo’s first Melbourne show is a hit

Catharsis and high kicks: Olivia Rodrigo’s first Melbourne show is a hit

To say Rodrigo’s first Australian tour was anticipated is an understatement: some eager fans had been camping out at Rod Laver Arena since the weekend.

  • by Giselle Au-Nhien Nguyen, Barney Zwartz, Andrew Fuhrmann, Tony Way and Will Cox
How the young Hawks gave a masterclass in redemption
Opinion
Religion

How the young Hawks gave a masterclass in redemption

First comes failure, then recognition of the need to change, to look to something better, then action, hope and hard work.

  • by Barney Zwartz
Helen Garner says this is the best thing she’s written. But does it work as an opera?

Helen Garner says this is the best thing she’s written. But does it work as an opera?

With a theme leaning so heavily on music, it’s not a surprise The Children’s Bach was adapted into an opera – but does it keep its magic when taken off the page?

  • by Vyshnavee Wijekumar, Bridget Davies, Andrew Fuhrmann, Tony Way, Jessica Nicholas and Barney Zwartz
Celebrating the ‘ultimate father’
Opinion
Religion

Celebrating the ‘ultimate father’

Christians speak of God as father in several ways, the most important being that he is their creator and redeemer, their protector and guide.

  • by Barney Zwartz
If you hate Henry VIII then this is the musical for you

If you hate Henry VIII then this is the musical for you

It would appear that & Juliet has been pipped at the post by Six the Musical for the poppiest show ever inspired by the 16th century.

  • by Cameron Woodhead, Vyshnavee Wijekumar, Andrew Fuhrmann, Bridget Davies and Barney Zwartz

Original URL: https://www.watoday.com.au/by/barney-zwartz-hveq0