Young dance and pop songwriters dominate the APRA Music Awards, led by Flume and Troye Sivan
ELECTRONIC pop music has officially put Oz rock in a coma with Flume, Troye Sivan, D.D. Dumbo and Sia winning big at the APRA Music Awards.
Music
Don't miss out on the headlines from Music. Followed categories will be added to My News.
AUSTRALIAN rock is dead; long live our dance pop music as Flume confirmed his dominance of our airwaves as the APRA Songwriter of the Year on Monday.
The Sydney songwriter, who won a Grammy earlier this year and dominated last year’s ARIA Awards, also took out the gongs for Most Played Australian Work and Dance Work Of The Year with his chart-slaying single Never Be Like You, featuring Canadian vocalist Kai.
Despite not singing on his own compositions, Flume has emerged as one of our most successful music exports of the past year, reaching the top 10 in the US with his second album Skin.
Dance music was only recognised by the songwriter’s society APRA with its own category in 2002, with The Presets the only other electronic-based musicians to be recognised as Songwriter Of The Year in the awards’ history.
The indie electronica of D.D. Dumbo’s Satan beat out offerings from Nick Cave, Tim Minchin, Amy Shark and Julia Jacklin to win Song Of The Year.
The Breakthrough Songwriter of the Year was 21-year-old pop prince Troye Sivan who converted his YouTube stardom into becoming one of the most streamed Australian artists with his debut album Blue Neighbourhood.
Another Australian pop superstar Sia again proved another songwriters’ favourite, adding Pop Work Of The Year for her hit Cheap Thrills to her impressive tally of eight APRA awards.
And even the Urban Work Of The Year, usually dominated by hip hop tracks, was taken out by the pop hit Papercuts from Illy and Vera Blue.
Birds of Tokyo flew the flag for guitars with their song I’d Go Anywhere With You winning Rock Work Of The Year.
While the trophies may have been dominated by dance and pop artists, the heart of the 2017 APRA Music Awards belonged to Archie Roach.
The indigenous artist who illuminated his experience as a child of the Stolen Generations in the heartwrenching ballad Took The Children Away had everyone on their feet when he was named the recipient of the prestigious Ted Albert Award For Outstanding Services to Australian Music.
His co-writer and good friend Paul Kelly was joined by Dan Sultan and A.B. Original to perform that song in his honour at the ICC Grand Ballroom ceremony.
The APRA awards take a unique approach to their performances, pairing unexpected artists with the Song Of The Year nominations to reinvent the songs.
The theatrical Kate Miller-Heidke tackled Tim Minchin’s Come Home (Cardinal Pell), Julia Jacklin interpreted Nick Cave’s Skeleton Key while Holy Holy performer her song Pool Party.
Recent album chart-toppers Busby Marou put a blues spin to Amy Shark’s Adore and British-based singer songwriter Cloves sang D.D. Dumbo’s Satan.
It was no surprise he all-conquering Hello by Adele was named the International Work Of The Year.
Among the artists and guests at the 2017 ceremony were Bernard Fanning, INXS’s Andrew Farriss, Grinspoon’s Phil Jamieson, Tkay Maidza, Katie Noonan, Jenny Morris and Birds Of Tokyo.
Song of the Year
Satan, D.D. Dumbo
Songwriter of the Year:
Harley Streten aka Flume
Breakthrough Songwriter of the Year
Troye Sivan
Overseas Recognition Award
Sam Dixon
Ted Albert Award for Outstanding Services to Australian Music
Archie Roach
Most Played Australian Work
Never Be Like You, Flume feat. Kai
Most Played Australian Work Overseas
Rip-tide, Vance Joy
International Work of the Year
Hello, Adele
Country Work of the Year
Greatest Companion, Aleyce Simmonds
Blues & Roots Work of the Year
The Pain, Robbie Miller
Dance Work of the Year
Never Be Like You, Flume feat. Kai
Rock Work of the Year
I’d Go With You Anywhere, Birds of Tokyo
Pop Work of the Year
Cheap Thrills, Sia
Urban Work of the Year
Papercuts, Illy feat. Vera Blue
Originally published as Young dance and pop songwriters dominate the APRA Music Awards, led by Flume and Troye Sivan