Unique and epic drama is Oscars frontrunner for good reason
There’s a good reason that the three-and-a-half-hour drama The Brutalist is favourite to win this year’s Best Picture Oscar – it’s like nothing you have seen before, writes Leigh Paatsch.
Leigh Paatsch
‘Thrilling’: why Conclave is a knockout from start to finish
If you think a movie based on choosing a new pope sounds boring then think again – the gripping Conclave will keep you guessing and on the edge of your seat, writes Leigh Paatsch.
‘Must-see’: Why original and funny Anora is downright addictive
Showcasing an incredible new acting talent, ‘must-see’ Anora provokes genuine fascination and outright curiosity, writes Leigh Paatsch.
Robbie Williams biopic is a minor movie miracle – monkey and all
Turning global pop star Robbie Williams into a CGI monkey could have backfired spectacularly but it actually turns Better Man into a musical biopic that’s a cut about the rest, writes Leigh Paatsch.
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Why new Alien movie is truly terrifying
The latest Alien film is not a sequel-ish reboot. It really is a terrifying addition to the franchise, writes Leigh Paatsch.
Trashy fun in serial killer thriller
Josh Hartnett flips between goofy and sinister as a serial killer dad in Sixth Sense director M. Night Shyamalan’s latest trashy, twisty-turny thriller, Trap.
Guy Ritchie action romp leads top movies to stream
From a true-ish WWII tale turned into a fun action romp, to an inspirational sporting story and a gorgeous looking romance, Leigh Paatsch reviews top streaming movies.
How Johansson, Tatum pairing gives retro rom-com lift-off
While Fly Me To the Moon does not always take the most direct or smooth route, an excellent lead pairing of Scarlett Johansson and Channing Tatum never falters, writes Leigh Paatsch.
Twister reboot is totally wild, minus a good plot
It may be a reboot of a ’90s classic, but Twisters’ weather at its worst owns every single centimetre of the big screen. There’s just one thing missing, writes Leigh Paatsch.
Austin Butler is ‘guy-candy’ in new bikie flick
Not since Brad Pitt slunk into view in Thelma & Louise has the camera loved anyone as much as Austin Butler, writes Leigh Paatsch.
Power and passion: Fitting tribute to Aussie cultural warriors
Documentary reveals why the world bought into power, passion and political values of Midnight Oil, writes Leigh Paatsch.
Why Gru’s crew is still genuinely amusing
Despicable Me 4 proves the adventures of Gru and his ever-expanding entourage won’t be getting old any time soon, writes Leigh Paatsch.
‘Wildly inventive’: Could this be 2024’s best movie?
Hit Man, starring Top Gun and Anyone But You’s Glen Powell, is on target to be one of the best movies of 2024, writes Leigh Paatsch.
Bad Boys’ return is ‘truly inspired’
Bickering-buddies bond saves fourth Bad Boys movie from wearing out its welcome, while a light comedy gets female friendship right, writes Leigh Paatsch.
Original URL: https://www.thechronicle.com.au/entertainment/movies/leigh-paatsch/page/4