It appears Creative Australia’s boss forgot about Google
The embattled CEO of Creative Australia clearly needs to seize the power of the search engine, or at least learn how to conduct due diligence.
The embattled CEO of Creative Australia clearly needs to seize the power of the search engine, or at least learn how to conduct due diligence.
Creative Australia CEO Adrian Collette has told parliament he won’t resign over the dumping of artist Khaled Sabsabi as Australia’s representative to the Venice Biennale, insisting the decision was necessary.
Oh, what a coincidence. A senator’s significant other (who contributed to the government’s IR reviews) has a new partner: the Albanese government.
CA boss Adrian Collette will soon front Senate Estimates. He may want to explain why roughly 37 per cent of its peer assessors, who oversee grant funding, received grants themselves.
Another day, another dreadful call by an arts institution, this time Sydney’s Museum of Contemporary Art, which has got itself in a tangle over a bash booked by Greens senator Mehreen Faruqi for International Women’s Day.
Amid a $23bn divorce, Mike Cannon-Brookes is suing the absolute pants off of a once-trusted family office executive, claiming corporate skulduggery has been afoot.
The prestigious university hosted a swanky dinner party for a Federal Reserve governor at the black-listed venue, despite its owners’ history of controversial statements.
Kicking over more rocks at Creative Australia reveals generous taxpayer-funded grants handed out to artists who’ve broadcast their hero-worship for jihadi leaders, under the leadership of CEO Adrian Collette.
For the first time ever we find ourselves in furious agreement with Sarah Hanson-Young, who wants a ‘full and frank’ inquiry into Creative Australia’s decision-making around the Venice Biennale 2026.
What faith would anyone hold in the leadership of Creative Australia when it flip-flops with such alacrity over a political crisis of its own making?
Original URL: https://www.theaustralian.com.au/author/yoni-bashan/page/4