The killer doll film you really need to see
The comedy-horror M3GAN is the collaboration between two of the modern masters of the macabre: Australian James Wan and the American Jason Blum.
The comedy-horror M3GAN is the collaboration between two of the modern masters of the macabre: Australian James Wan and the American Jason Blum.
“I beat the Beatles. I beat Elvis.” So Whitney Houston (a powerhouse Naomi Ackie) tells the man who makes her records, Clive Davis (the ever-watchable Stanley Tucci), in I Wanna Dance With Somebody. And so she did.
The American tragicomedy A Man Called Otto, is close to a frame-by-frame, word-for-word remake of the 2015 Swedish film A Man Called Ove. That’s a compliment, not a criticism.
From Banshees to Mad Gods, superheroes and superstars, there were several standout films in a tough year for cinema. The Australian’s movie buffs present their picks of the bunch.
“Are you afraid?” she asks him when the affair is in full swing. “I bloody well am,” he admits.
Avatar: The Way of Water looks good but so would a David Attenborough documentary if someone handed him $US400m, and he’d film real animals not CGI ones.
Nine months after he slapped Chris Rock at the Academy Awards Will Smith is back as a slave on the run in Black Lives Matter movie Emancipation. The verdict is in.
Violent Night is part Die Hard Santa, part rich-but-stupid people satire, part schmaltzy Christmas-still-matters homily.
It’s been a long time between directorial drinks for Russell Crowe. But even if his latest film is full of imperfections, we can forgive him.
The People We Hate at the Wedding ticks all the required boxes for a movie about nuptials: the bachelorette party, the rehearsal dinner, the drinking, the vomiting.
Original URL: https://www.theaustralian.com.au/author/stephen-romei/page/20