Prison feels like home
Margaret Atwood’s dry wit pervades The Heart Goes Last, though at times it is pressed into an uncomfortable parody.
Margaret Atwood’s dry wit pervades The Heart Goes Last, though at times it is pressed into an uncomfortable parody.
In a blazing read, Sydney writer Charlotte Wood explores the frightening elements of contemporary gender relations.
Andy Griffiths and Terry Denton have taken their ever-popular treehouse to hilarious new levels.
Sicario can be enjoyed as an action movie but a large part of its brilliance lies in defying the genre’s expectations.
Snowtown director Justin Kurzel found Shakespeare’s Scottish play was the perfect choice for his follow-up film.
Tom Keneally’s biographer, Stephany Evans Steggall, considers the prolific author’s development of his female characters.
Les Murray’s new book, On Bunyah, is a celebration in verse and photographs of the place he calls home.
Gerald Murnane’s Something for the Pain is as much an autobiography as a memoir of the turf.
The customer feedback survey has become a sneaky way for companies to gain free corporate services.
Radical Newcastle might be the best evidence yet for what is wrong with how we approach history in Australia.
Original URL: https://www.theaustralian.com.au/author/stephen-romei/page/199