Mixed emotions
KATE CHAMPION tackles the tricky issue of modern parenting in her new dance-theatre work, Never Did Me Any Harm.
KATE CHAMPION tackles the tricky issue of modern parenting in her new dance-theatre work, Never Did Me Any Harm.
AS she prepares for one of the biggest roles of her career, Robyn Nevin – actress, director, theatre administrator – reveals her insecurities.
IN a world apparently dumbing down, ideas festivals are the new rock ‘n’ roll.
STATE Theatre Company of South Australia celebrates its 40th birthday with a season of plays that features eye-gouging and cannibalism.
HUNGER in the APY Lands has sparked questions about whether remote communities are viable.
THE country’s leading prize for emerging classical musicians and singers has been won by a saxophonist for only the second time.
ABOUT to turn 60, our best known prize for religious art has unleashed some unholy rows.
BOOKSHOPS are having to change with the times, which means so are writers and publishers.
A PAINTING portraying Jesus, Mary and Joseph as orang-utans is a finalist in the Blake Prize for religious art.
IT’S the morning after his gallery’s biggest opening night of the year, so director Tony Ellwood could be forgiven for putting his feet up.
Original URL: https://www.theaustralian.com.au/author/rosemary-neill/page/68