A creative flip-flop over terrorist imagery and arts grants
What faith would anyone hold in the leadership of Creative Australia when it flip-flops with such alacrity over a political crisis of its own making?
What faith would anyone hold in the leadership of Creative Australia when it flip-flops with such alacrity over a political crisis of its own making?
It looks like Margin Call’s deep dive into the questionable early oeuvre of Sydney artist Khaled Sabsabi has ended his selection as Australia’s pick for the Venice Biennale in 2026.
Former Magellan chairman Hamish Douglass has broken cover to celebrate his good fortune at keeping a sizeable toe in the water with fast food chain Guzman y Gomez.
Why did Creative Australia send an artist who portrayed the leader of Hezbollah as ‘divine’ as our representative to Venice? Good question.
Whatever interest rate you’re paying on your home loan, pie-in-face expert Sanjeev Gupta is almost certainly paying more.
What’s happened to hundreds of thousands of dollars in Melbourne Cup prize money? It’s a story of debt, bankruptcies, court battles, and disputes between friends and business partners.
Less than a year ago, Alan and Rebecca Yazbek forked out $11m for a tumbledown mansion. So, is it a cashflow problem or something else behind it being put up for sale again so soon?
PwC’s scandalous tax leaks saga led to plenty of point scoring by both major parties but their enthusiasm for sinking the boot in has cost their election war chests.
Sussan Group owner Naomi Milgrom has distanced herself from the investment company run by her three children that has poured money into Simon Homes a Court’s Climate 200 movement.
A court stoush featuring two private school boys, a hit TV show and an old gangster? Throw in some fast cars and rhyming slang and you’ve surely got the makings of a major movie.
Original URL: https://www.theaustralian.com.au/author/nick-evans/page/4