I’ve never understood the popularity of Carmen
Bizet’s opera is exhilarating, to be sure, but the narrative appears to take a dim view of a woman’s freedom to choose her partner and also appears to endorse domestic violence.
Bizet’s opera is exhilarating, to be sure, but the narrative appears to take a dim view of a woman’s freedom to choose her partner and also appears to endorse domestic violence.
This film tells the story of a woman who leaked a classified document that confirmed the existence of Russian interference in the 2016 election that brought Donald Trump to power.
Powerfully moving film The Last Daughter reveals that, in NSW, Aboriginal children were still being taken from their parents and handed over to non-Indigenous families as late as 1973.
The Tank has a lot going for it: the characters are strong, the setting is effectively creepy and the monster looks suitably horrid.
The actor’s turn as a grizzled veteran FBI agent who likes to break the rules makes To Catch a Killer a four-star film.
Bank of Dave’s GFC-era corner store loan business doesn’t seem like a promising subject for a movie, but the resulting film is a disarming, likeable affair.
From battles with the government to ambitious directors and Australian premieres, the Sydney Film Festival has generated its share of headlines over 70 years.
Gere and Susan Sarandon play a pair enjoying a tryst in a lavish hotel room – though he isn’t enjoying it very much.
Simon Baker plays a cop, from a far-off city, sent to a remote opal mining town to review a 20-year-old disappearance.
Nothing can prepare this grisly horror film starring Alexander Skarsgard as a cashed-up foreigner in a third world country.
Original URL: https://www.theaustralian.com.au/author/david-stratton/page/3