Archibald Prize’s dirty secret
Some of the 51 finalists are monstrosities, others ugly. Our art critic doesn’t hold back.
Some of the 51 finalists are monstrosities, others ugly. Our art critic doesn’t hold back.
Given Nora Heysen’s talent and her parentage, her lack of significant work came as a disappointment.
A new survey traces the evolution of British royal portraiture across five centuries.
An exhibition of early drawings and prints of Maori tattoo culture bears rich lessons of the society itself.
Street photography grew up and flourished, like Darwin’s Galapagos finches, where an economic opportunity presented itself.
Consumers gorge themselves on images, driven by a need to fill an emptiness within themselves.
There are many exquisite pieces in this exhibition of treasures from the National Museum of Taipei.
India is the most complex and elusive of the three great epicentres of human civilisation.
Shape of Knowledge sounds like a promising concept but the reality falls short in this collection of sub-exhibitions.
The Asia-Pacific Triennial has increasingly covered the whole field of Asia, all the way to the Arab world.
Original URL: https://www.theaustralian.com.au/author/christopher-allen/page/35