‘Get help. Professional help’
Recognised for a sickening turn in a public health ad, theatre-maker and mum of triplets Emma Beech, 41, reveals how she deals with the notoriety — and her best parenting hack.
Recognised for a sickening turn in a public health ad, theatre-maker and mum of triplets Emma Beech, 41, reveals how she deals with the notoriety — and her best parenting hack.
It was the scandal that put ASIO on the map, but Evdokia Petrov’s troubled life illuminates the trauma, stress and humiliation of defection.
Bundanon’s new CEO Rachel Kent says a new subterranean art museum in a hillside will protect Arthur Boyd’s $46m art collection from another Black Summer catastrophe.
REBECCA McINTOSH, aka Bec Mac, is a Brisbane-based artist, journalist and creative director of arts org Chrysalis Projects. Sometimes she dresses as the goddess Aphrodite
The vibrant screen industry that flourished for 20 years in Afghanistan has died. Skilled employees have returned to a life of fear, hiding their work and identities.
Irish writer-actor Clare Dunne finds a radical solution for helping a homeless single mother in her debut feature film Herself.
‘What the f..ck was that?’ The midwinter arts jamboree may have lost a fortnight and its Melbourne ticket holders, but not the capacity to surprise.
A 200kg giant beetle filled with 15,000 worries will go up in flames in one of the great traditions of Hobart’s winter festival.
Diver, filmmaker and conservationist Valerie Taylor has suffered her fair share of shark attacks and has some advice you might not expect.
Kate Gould, executive director of the Hobart midwinter festival, talks controversy, her legendary father, nude swims and her new role at the Brisbane Powerhouse.
Original URL: https://www.theaustralian.com.au/author/bridget-cormack/page/6