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<p><strong>Giovan Battista Moroni</strong><br/> <em>Portrait of a child of the house of Redetti</em> c.1570.<br/> Oil on canvas.<br/> Accademia Carrara, Bergamo, legacy of Guglielmo Lochis, 1866.<br/> Picture: Supplied<br/> <br/> From the Renaissance exhibition at the National Gallery of Australia, Canberra, from 9 December 2011 to 9 April 2012. <a href="http://www.theaustralian.com.au/news/arts/seeing-the-i-in-renaissance/story-e6frg8n6-1226216596415">STORY: Seeing the 'I' in Renaissance</a></p>

Giovan Battista Moroni
Portrait of a child of the house of Redetti c.1570.
Oil on canvas.
Accademia Carrara, Bergamo, legacy of Guglielmo Lochis, 1866.
Picture: Supplied

From the Renaissance exhibition at the National Gallery of Australia, Canberra, from 9 December 2011 to 9 April 2012. STORY: Seeing the 'I' in Renaissance

<p><strong>Lorenzo Lotto</strong><br/> <em>The Mystic Marriage of Saint Catherine of Alexandria</em> 1523.<br/> Oil on canvas.<br/> Accademia Carrara, Bergamo, bequest of Giacomo Carrara, 1796.<br/> Picture: Supplied</p>

Lorenzo Lotto
The Mystic Marriage of Saint Catherine of Alexandria 1523.
Oil on canvas.
Accademia Carrara, Bergamo, bequest of Giacomo Carrara, 1796.
Picture: Supplied

<p><strong>Raphael</strong> <br/> <em>Saint Sebastian</em> c.1501-02. <br/> Oil and gold on wood panel.<br/> Accademia Carrara, Bergamo, legacy of Guglielmo Lochis, 1866.<br/> Picture: Supplied</p>

Raphael
Saint Sebastian c.1501-02.
Oil and gold on wood panel.
Accademia Carrara, Bergamo, legacy of Guglielmo Lochis, 1866.
Picture: Supplied

<p><strong>Sandro Botticelli</strong><br/> <em>The story of Virginia the Roman</em> c.1500.<br/> Tempera and gold on wood panel.<br/> Accademia Carrara, Bergamo, bequest of Giovanni Morelli, 1891.<br/> Picture: Supplied<br/> (This image has been cropped).</p>

Sandro Botticelli
The story of Virginia the Roman c.1500.
Tempera and gold on wood panel.
Accademia Carrara, Bergamo, bequest of Giovanni Morelli, 1891.
Picture: Supplied
(This image has been cropped).

<p><strong>Altobello Melone</strong><br/> <em>Portrait of a gentleman (Cesare Borgia?)</em> c.1513.<br/> Oil on wood panel.<br/> Accademia Carrara, Bergamo, legacy of Guglielmo Lochis, 1866.<br/> Picture: Supplied<br/> </p>

Altobello Melone
Portrait of a gentleman (Cesare Borgia?) c.1513.
Oil on wood panel.
Accademia Carrara, Bergamo, legacy of Guglielmo Lochis, 1866.
Picture: Supplied

<p><strong>Titian</strong><br/> <em>Madonna and child in a landscape</em> c.1507.<br/> Oil on wood panel.<br/> Accademia Carrara, Bergamo, legacy of Guglielmo Lochis, 1866.<br/> Picture: Supplied</p>

Titian
Madonna and child in a landscape c.1507.
Oil on wood panel.
Accademia Carrara, Bergamo, legacy of Guglielmo Lochis, 1866.
Picture: Supplied

<p><strong>Carlo Crivelli</strong><br/> <em>Madonna and Child</em> c.1482-1483.<br/> Tempera and gold on wood panel.<br/> Accademia Carrara, Bergamo, legacy of Guglielmo Lochis, 1866.<br/> Picture: Supplied.</p>

Carlo Crivelli
Madonna and Child c.1482-1483.
Tempera and gold on wood panel.
Accademia Carrara, Bergamo, legacy of Guglielmo Lochis, 1866.
Picture: Supplied.

<p><strong>Attributed to Marco del Buono and Apollonio di Giovanni</strong><br/> <em>Love procession</em> c.1440s<br/> Tempera on wood panel.<br/> Accademia Carrara, Bergamo, bequest of Antonietta Noli, widow of Carlo Marenzi, 1901.<br/> Picture: Supplied</p>

Attributed to Marco del Buono and Apollonio di Giovanni
Love procession c.1440s
Tempera on wood panel.
Accademia Carrara, Bergamo, bequest of Antonietta Noli, widow of Carlo Marenzi, 1901.
Picture: Supplied

<p><strong>Giovanni Bellini</strong><br/> <em>Madonna and Child</em> c.1475-1476<br/> Tempera on wood panel.<br/> Accademia Carrara, Bergamo, legacy of Guglielmo Lochis, 1866.<br/> Picture: Supplied.</p>

Giovanni Bellini
Madonna and Child c.1475-1476
Tempera on wood panel.
Accademia Carrara, Bergamo, legacy of Guglielmo Lochis, 1866.
Picture: Supplied.

<p><strong>Lorenzo Lotto</strong><br/> <em>Portrait of a young man</em> c.1500.<br/> Oil on wood panel.<br/> Accademia Carrara, Bergamo, legacy of Guglielmo Lochis, 1866.<br/> Picture: Supplied</p>

Lorenzo Lotto
Portrait of a young man c.1500.
Oil on wood panel.
Accademia Carrara, Bergamo, legacy of Guglielmo Lochis, 1866.
Picture: Supplied

<p><strong>Giovanni Bellini</strong><br/> <em>Madonna and Child (Alzano Madonna)</em> c.1488.<br/> Oil on wood panel.<br/> Accademia Carrara, Bergamo, bequest of Giovanni Morelli, 1891.<br/> Picture: Supplied</p>

Giovanni Bellini
Madonna and Child (Alzano Madonna) c.1488.
Oil on wood panel.
Accademia Carrara, Bergamo, bequest of Giovanni Morelli, 1891.
Picture: Supplied

<p><strong>Lorenzo Costa</strong><br/> <em>Saint John the Evangelist</em> c.1480-1485.<br/> Oil on canvas transferred from wood panel.<br/> Accademia Carrara, Bergamo, bequest of Giovanni Morelli, 1891.<br/> Picture: Supplied</p>

Lorenzo Costa
Saint John the Evangelist c.1480-1485.
Oil on canvas transferred from wood panel.
Accademia Carrara, Bergamo, bequest of Giovanni Morelli, 1891.
Picture: Supplied

<p><strong>Antonio Cicognara</strong><br/> <em>The world</em> (tarot card) 1440s.<br/> Tempera and gold on paper laid on card.<br/> Accademia Carrara, Bergamo, bequest of Count Francesco Baglione, 1900.<br/> (This image has been cropped).<br/> Picture: Supplied</p>

Antonio Cicognara
The world (tarot card) 1440s.
Tempera and gold on paper laid on card.
Accademia Carrara, Bergamo, bequest of Count Francesco Baglione, 1900.
(This image has been cropped).
Picture: Supplied

<p><strong>Antonio Cicognara</strong><br/> <em>The moon</em> (tarot card) 1440s.<br/> Tempera and gold on paper laid on card.<br/> Accademia Carrara, Bergamo, bequest of Count Francesco Baglione, 1900.<br/> (This image has been cropped).<br/> Picture: Supplied</p>

Antonio Cicognara
The moon (tarot card) 1440s.
Tempera and gold on paper laid on card.
Accademia Carrara, Bergamo, bequest of Count Francesco Baglione, 1900.
(This image has been cropped).
Picture: Supplied

<p><strong>Bonifacio Bembo</strong><br/> <em>Knight of staves</em> (tarot card) 1440s.<br/> Tempera and gold on paper laid on card.<br/> Accademia Carrara, Bergamo, bequest of Count Francesco Baglione, 1900.<br/> (This image has been cropped).<br/> Picture: Supplied<br/> </p>

Bonifacio Bembo
Knight of staves (tarot card) 1440s.
Tempera and gold on paper laid on card.
Accademia Carrara, Bergamo, bequest of Count Francesco Baglione, 1900.
(This image has been cropped).
Picture: Supplied

<p><strong>Bartolomeo Vivarini</strong><br/> <em>Saint Michael from Scanzo polyptych</em> 1488.<br/> Tempera and gold on wood panel.<br/> Accademia Carrara, Bergamo, bequest of Giacomo Carrara, 1796.<br/> Picture: Supplied<br/> (This image has been cropped).</p>

Bartolomeo Vivarini
Saint Michael from Scanzo polyptych 1488.
Tempera and gold on wood panel.
Accademia Carrara, Bergamo, bequest of Giacomo Carrara, 1796.
Picture: Supplied
(This image has been cropped).

<p><strong>Maestro dei Cartellini</strong><br/> <em>Saint Peter</em> c.1458.<br/> Tempera and gold on wood panel.<br/> Accademia Carrara, Bergamo, bequest of Giacomo Carrara, 1796.<br/> Picture: Supplied<br/> (This image has been cropped).<br/> <br/> From the Renaissance exhibition at the National Gallery of Australia, Canberra, from 9 December 2011 to 9 April 2012. <a href="http://www.theaustralian.com.au/news/arts/seeing-the-i-in-renaissance/story-e6frg8n6-1226216596415">STORY: Seeing the 'I' in Renaissance</a></p>

Maestro dei Cartellini
Saint Peter c.1458.
Tempera and gold on wood panel.
Accademia Carrara, Bergamo, bequest of Giacomo Carrara, 1796.
Picture: Supplied
(This image has been cropped).

From the Renaissance exhibition at the National Gallery of Australia, Canberra, from 9 December 2011 to 9 April 2012. STORY: Seeing the 'I' in Renaissance

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Original URL: https://www.theaustralian.com.au/arts/visual-arts/image-gallery/8c00e3468f550f036ff23769d658cf42