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Review’s Isolation Room: Elena Kats-Chernin

Pianist and composer Elena Kats-Chernin plays Russian Rag, from her 2016 album Butterflying, for Review’s video series starring top artistic performers recording at home.

Pianist and composer Elena Kats-Chernin plays Russian Rag, from her 2016 album Butterflying, performed at her home studio in Sydney for Review’s Isolation Room – a video series starring top musicians and artistic performers recorded at their homes. Picture: John Feder / The Australian, September 2016
Pianist and composer Elena Kats-Chernin plays Russian Rag, from her 2016 album Butterflying, performed at her home studio in Sydney for Review’s Isolation Room – a video series starring top musicians and artistic performers recorded at their homes. Picture: John Feder / The Australian, September 2016

Welcome to Review’s Isolation Room. As a pandemic spreads around the world, and increasingly touches the lives of more Australians, some of the country’s best musicians, authors, dancers and artists have hunkered down, given their time and recorded performances for The Australian’s readers.

From Missy Higgins to Deborah Conway; Tim Rogers to Brian Cadd; The Australian Ballet to Tom Keneally and beyond, the Isolation Room is a place of great art and hope for a country at its time of need.

Elena Kats-Chernin

Pianist and composer Elena Kats-Chernin plays Russian Rag, from her 2016 album Butterflying, performed at her home studio in Sydney on Sunday, April 5 2020. To purchase Butterflying, visit this web store.

READ MORE:

Elena Kats-Chernin and pianist Tamara Anna Cislowska talk about their relationship and their musical homage to Johann Sebastian Bach’s wife, by Matthew Westwood, August 2018

Elena Kats-Chernin profiled in The Weekend Australian Review by Deborah Jones, April 2010

Watch more of Review’s Isolation Room

Series credits:
Review editor and project co-ordinator: Tim Douglas

Review deputy editor: Bridget Cormack

National music writer: Andrew McMillen

Video producer: Nicholas Adams-Dzierzba

Bridget Cormack
Bridget CormackDeputy Editor, Review

Bridget Cormack worked on The Australian's arts desk from 2010 to 2013, before spending a year in the Brisbane bureau as Queensland arts correspondent. She then worked at the Sydney Symphony Orchestra and as a freelance arts journalist before returning to The Australian as Deputy Editor of Review in 2019.

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Original URL: https://www.theaustralian.com.au/arts/review/reviews-isolation-room-elena-katschernin/news-story/a697f1aaff10b11438384a405d882e2c