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Tina Arena a vision of calm for Kate Miller-Heidke

What would Tina Arena do? That was the question on Kate Miller-Heidke’s mind at Eurovision.

Kate Miller-Heidke and Tina Arena at the Music in the House ceremony in Sydney yesterday. Picture: Tim Hunter.
Kate Miller-Heidke and Tina Arena at the Music in the House ceremony in Sydney yesterday. Picture: Tim Hunter.

While nervously waiting backstage in Tel Aviv ahead of her ­Eurovision semi-final performance this month, Kate Miller-Heidke was doing her best to channel the essence of one of Australia’s greatest singer-songwriters by asking herself: what would Tina Arena do?

“I’m humbled by that because I did speak to her before she went,” Arena said.

“I just told her, ‘Breathe, and don’t buy into the spectacle. Just go in and do what it is that you do beautifully.’ And that’s exactly what she did. She was stunning.”

After more than 40 years in the public eye, and with millions of copies of her 11 studio albums scattered throughout the music collections of everyday Australians, Arena was honoured yesterday at an event named Music in the House at Sydney’s Ivy ­Ballroom. Arena ­received an ­excellence in community award.

Outside of her recording and stage career, Arena’s accolade recognised her fundraising for groups such as the National Breast Cancer Foundation and the Royal Flying Doctor Service, as well as her work as a patron for Soldier On, which supports the rehabilitation of war veterans.

The annual event is a fundraiser for music industry charity Support Act, which helps artists, roadies and music workers in ­crisis. Previous recipients include Archie Roach, Jenny Morris and Paul Kelly.

Arena was honoured with a ­series of acoustic performances from the likes of Miller-Heidke, who sang Arena’s 1995 single Heaven Help My Heart, and Melbourne singer-songwriter Ainslie Wills, who performed 1998’s Now I Can Dance.

Music in the House raised more than $200,000 through ticket sales, auctions and raffles, with the final tally still to be ­calculated.

“It’s a body that ultimately protects the musicians,” said Arena of Support Act. “This is a charity that’s really important for the artistic community.

“Could you imagine how freaking miserable we’d all be in a world without the arts?”

When reminded that one of her most vocal admirers is Scott Morrison, Arena said: “I don’t spend my days thinking about how our Prime Minister enjoys listening to my music.

“I’m very flattered by it. Mr Morrison is a good human being, and I wish him all the best with his job.”

Andrew McMillen
Andrew McMillenMusic Writer

Andrew McMillen is an award-winning journalist and author based in Brisbane. Since January 2018, he has worked as national music writer at The Australian. Previously, his feature writing has been published in The New York Times, Rolling Stone and GQ. He won the feature writing category at the Queensland Clarion Awards in 2017 for a story published in The Weekend Australian Magazine, and won the freelance journalism category at the Queensland Clarion Awards from 2015–2017. In 2014, UQP published his book Talking Smack: Honest Conversations About Drugs, a collection of stories that featured 14 prominent Australian musicians.

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Original URL: https://www.theaustralian.com.au/arts/music/tina-arena-a-vision-of-calm-for-kate-millerheidke/news-story/d95645309f2aaf73a2a02548032c76c0