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Sounds like restoration of Brisbane’s rockin’ soul

Brisbane lost a piece of its history when Festival Hall was sold in 2003; next Friday a new chapter begins at the Fortitude Music Hall.

Powderfinger’s John Collins and the Grates’ Patience Hodgson on the Fortitude Music Hall stage. Picture: Lyndon Mechielsen
Powderfinger’s John Collins and the Grates’ Patience Hodgson on the Fortitude Music Hall stage. Picture: Lyndon Mechielsen

When Festival Hall was sold in 2003 to make way for an apartment block, the Queensland capital lost a much-loved music venue that had hosted the likes of the Beatles, Led Zeppelin, Fleetwood Mac and Nirvana.

Next Friday, a spiritual successor, the Fortitude Music Hall, will begin a new chapter of Brisbane’s music history.

Situated in the centre of the city’s entertainment precinct of Fortitude Valley, the $43 million venue is a joint venture between a bassist, a builder, a music entrepreneur and an American entertainment giant.

“I want it to be an asset to Brisbane and the Valley, and to Queensland music,” said John Collins, bass player in rock group Powderfinger, which disbanded in 2010.

“I think Brisbane deserves a bloody beautiful space, and I think we’ve waited long enough. We’re a bigger city than we were when Festival Hall was shut down and, in the past, we’ve lost shows for not having this size of venue.

“I think that’s a sad thing for our music culture.”

The Beatles play Brisbane’s Festival Hall.
The Beatles play Brisbane’s Festival Hall.

No more: with a capacity of 3300, the Fortitude Music Hall will fill a gap between the nearby Tivoli theatre, which accommodates 1500, and the 9000-capacity outdoor Riverstage.

“I’ve missed Festival Hall terribly — that was my temple,” said Scott Hutchinson, chairman of Hutchinson Builders. “I’m a punter, and this is a labour of love and self-indulgence. It’s a disaster commercially in the short term — but in the long run it should be OK. Brisbane needs big bands playing in the middle of town.”

In 2014, Collins and Mr Hutchinson partnered with entrepreneur Paul Piticco — long-time manager of Powderfinger and co-chief executive of Secret Sounds, which oversees festivals such as Splendour in the Grass and Falls — to open The Triffid, an 800-­capacity room in neighbouring Newstead.

The trio’s experience and success with The Triffid led to a partnership on the second venue with American entertainment company Live Nation, which has a controlling stake in Secret Sounds.

Concerts booked at the Fortitude Music Hall include American psychedelic rockers the Flaming Lips, British metalcore band Architects, Indonesian rapper Rich Brian and Australian performers Kasey Chambers, Hermitude and The Cat Empire.

Next Friday, the venue will be christened by local rock acts Ball Park Music and DZ Deathrays, with guest performances by members of Powderfinger, Custard and the Grates.

“If you’re a Brisbane musician, you formed yourself in the Valley,” said Grates singer Patience Hodgson, who will host the opening night. “It’s gorgeous, and I feel like it’s a gift to the Valley.”

Andrew McMillen
Andrew McMillenMusic Writer

Andrew McMillen is an award-winning journalist and author based in Brisbane. Since January 2018, he has worked as national music writer at The Australian. Previously, his feature writing has been published in The New York Times, Rolling Stone and GQ. He won the feature writing category at the Queensland Clarion Awards in 2017 for a story published in The Weekend Australian Magazine, and won the freelance journalism category at the Queensland Clarion Awards from 2015–2017. In 2014, UQP published his book Talking Smack: Honest Conversations About Drugs, a collection of stories that featured 14 prominent Australian musicians.

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Original URL: https://www.theaustralian.com.au/arts/music/sounds-like-restoration-of-brisbanes-rockin-soul/news-story/3d83c28360280636b224986c49dc4662