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Dissident Iranian filmmaker wins Palme d’Or for prison-inspired satire

Banned from making films and jailed for “propaganda against the Islamic Republic,” Jafar Panahi drew on his time in Tehran’s Evin Prison for It Was Just an Accident — a darkly comic tale that has taken top honours at Cannes.

Director Jafar Panahi, winner of the Palme d'Or for the film It Was Just an Accident. Photo by Lewis Joly/Invision/AP
Director Jafar Panahi, winner of the Palme d'Or for the film It Was Just an Accident. Photo by Lewis Joly/Invision/AP

Not even a suspected act of sabotage — a power cut that plunged Cannes and much of the French Riviera into darkness on the final morning — could stop the festival from handing its top prize to a filmmaker banned from filmmaking.

The dissident Iranian filmmaker Jafar Panahi won the Palme d’Or at the Cannes Film Festival for his drama It Was Just an Accident, a bleakly comic swipe at the regime that has repeatedly tried to silence him.

It Was Just an Accident is the first film Panahi, 64, has made since being released from prison in 2023. Convicted of “propaganda against the Islamic Republic”, he was officially banned from making movies — a restriction he continued to defy.

It Was Just an Accident follows a group of men and women who band together after one of them kidnaps a man they believe tortured them in prison. Panahi, who has been imprisoned several times — most recently around the time his last film, No Bears, debuted at Venice in 2022 — drew inspiration from stories he heard from fellow inmates while at Evin Prison in Tehran.

Jury President Juliette Binoche and Cate Blanchett present the Palme d’ORAward onstage to Jafar Panahi for It Was Just an Accident. Photo by Pascal Le Segretain/Getty Images
Jury President Juliette Binoche and Cate Blanchett present the Palme d’ORAward onstage to Jafar Panahi for It Was Just an Accident. Photo by Pascal Le Segretain/Getty Images

A teary Cate Blanchett, who has just launched a new grant for displaced filmmakers, presented Panahi with the Palme. “I applaud the festival’s understanding that cinema creates openings for wider social conversations to take place,” she said. “Here, these dialogues are encouraged to take root where otherwise they risk being hijacked by the self-serving world of national and personal political ambition.”

In his speech, Panahi urged Iranians to “set aside our differences. The important thing now is the freedom of our country, so that no one would dare to tell us what to wear or what film to make.”

The Palme d’Or was decided by a nine-person jury led by the French star Juliette Binoche, presiding over actor Halle Berry, Alba Rohrwacher, Jeremy Strong, author Leïla Slimani, and filmmakers Dieudo Hamadi, Payal Kapadia, Carlos Reygadas and Hong Sangsoo.

The Grand Prix — effectively the silver medal — was presented by The Substance director Coralie Fargeat, and went to Sentimental Value, Joachim Trier’s family drama and follow-up to The Worst Person in the World.

Elle Fanning, Inga Ibsdotter Lilleaas, Joachim Trier, Renate Reinsve and Stellan Skarsgard pose with the Grand Prix Award for Sentimental Value. Photo by Tristan Fewings/Getty Images
Elle Fanning, Inga Ibsdotter Lilleaas, Joachim Trier, Renate Reinsve and Stellan Skarsgard pose with the Grand Prix Award for Sentimental Value. Photo by Tristan Fewings/Getty Images

The Jury Prize was split between two very different entries: Sirât, from French-Spanish auteur Oliver Laxe, which follows a grieving father’s psychedelic desert odyssey in search of his missing daughter; and Sound of Falling, an intergenerational ghost story from German director Mascha Schilinski, set over a century in the same rural family home.

The Best Actor award, presented by Pedro Almodovar’s long-time muse Rossy de Palma, went to Wagner Moura, star of The Secret Agent, a Brazilian political thriller set during the country’s 1970s dictatorship. The film’s director, Kleber Mendonça Filho, also won Best Director.

Kleber MendoaFilho and Wagner Moura pose during the The Secret Agent photocall at the 78th annual Cannes Film Festival. Photo by Pascal Le Segretain/Getty Images
Kleber MendoaFilho and Wagner Moura pose during the The Secret Agent photocall at the 78th annual Cannes Film Festival. Photo by Pascal Le Segretain/Getty Images

French stalwart Daniel Auteuil presented the Best Actress prize to newcomer Nadia Melliti for her performance in The Little Sister, Hafsia Herzi’s drama about a queer Muslim teenager navigating faith and sexuality.

Resurrection, a Chinese epic directed by Bi Gan, won the Prix Spécial, while Best Screenplay went to the Belgian filmmaking brothers Jean-Pierre and Luc Dardenne for Young Mothers, a drama about teenage mums.

Another headline-grabber of this year’s festival was the presence of three directorial debuts by marquee actors: The Chronology of Water, an adaptation of Lidia Yuknavitch’s memoir of abuse, directed by Twilight star Kristen Stewart; Eleanor the Great, directed by Scarlett Johansson, about an American woman in her nineties pretending to be a Holocaust survivor; and Urchin, a drama about a homeless man, directed by Harris Dickinson, the 28-year-old star of last year’s Nicole Kidman-led hit Babygirl — which notched its star, Frank Dillane, a performance award.

Harris Dickinson and Frank Dillane pose during a photocall for the film Urchin at the 78th edition of the Cannes Film Festival. (Photo by Miguel Medina / AFP
Harris Dickinson and Frank Dillane pose during a photocall for the film Urchin at the 78th edition of the Cannes Film Festival. (Photo by Miguel Medina / AFP

Cannes film festival 2025 winners: the full list

Feature films

Palme d’Or

It Was Just an Accident, directed by Jafar Panahi

Grand Prix

Sentimental Value, directed by Joachim Trier

Jury Prize

Sirât, directed by Oliver Laxe

and Sound of Falling, directed by Mascha Salinski

Best director

Kleber Medonça Filho, The Secret Agent

Special award

Resurrection, directed by Bi Gan

Best performance by an actor

Wagner Moura, The Secret Agent

Best performance by an actress

Nadia Melliti, The Little Sister

Best screenplay

Young Mothers, directed by Jean-Pierre and Luc Dardenne

Un Certain Regard prize

The Mysterious Gaze of the Flamingo, directed by Diego Céspedes

Jury prize

A Poet, directed by Simón Mesa Soto

Best director

Once Upon a Time in Gaza, directed by Tarzan and Arab Nasser

Performance Awards

Cleo Diara, I Only Rest in the Storm 

Frank Dillane, Urchin

Best Screenplay

Pillion directed by Harry Lighton

Special Mention

Norah directed by Tawfik Alzaidi

Short Film Palme d’Or

I’m Glad You’re Dead Now directed by Tawfeek Barhom

Short Film Special Mention

Ali directed by Adnan Al Rajeev

Camera d’Or

The President’s Cake directed by Hasan Hadi

Honorary Palme d’Or

Robert De Niro and Denzel Washington

Geordie Gray
Geordie GrayEntertainment reporter

Geordie Gray is a digital producer and entertainment reporter based in Sydney. She writes about film, television, music and pop culture. Previously, she was News Editor at The Brag Media and wrote features for Rolling Stone.

Original URL: https://www.theaustralian.com.au/arts/dissident-iranian-filmmaker-wins-palme-dor-for-prisoninspired-satire/news-story/32fd6223847b350fba3b4ed566a6cc27