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Melbourne live reviews

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Dear Evan Hansen is finally in Melbourne. Was it worth the wait?

Dear Evan Hansen is finally in Melbourne. Was it worth the wait?

The production won six Tony awards in 2016 – and you really must see this one in the flesh to understand what the fuss is about.

  • by Cameron Woodhead and Andrew Fuhrmann

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Crowded House came to Melbourne and the whole night was wonderfully uncool

Crowded House came to Melbourne and the whole night was wonderfully uncool

The iconic band’s performance at Rod Laver Arena on Tuesday night was a family affair – and a poignant and potent mix of old and new.

  • by Will Cox, Tony Way, Cameron Woodhead and Jessica Nicholas
Jack White returns to the grimy intimacy of the Melbourne venue where he wrote one of his hits

Jack White returns to the grimy intimacy of the Melbourne venue where he wrote one of his hits

Jack White, rock and roll royalty, could fill a much bigger venue than the Corner Hotel several times over – but this grimy intimacy is what he prefers.

  • by Will Cox, Vyshnavee Wijekumar, Cameron Woodhead, Andrew Fuhrmann and Tony Way
Trump in a dumpster plus a little bit of opera? This is a Christmas show with a difference

Trump in a dumpster plus a little bit of opera? This is a Christmas show with a difference

F Christmas is a holiday variety special that delivers wildly defiant joys with a dose of reality.

  • by Cameron Woodhead, Vyshnavee Wijekumar, Andrew Fuhrmann, Cher Tan and Tony Way
Twist on Frankenstein transports the classic to London under Thatcher

Twist on Frankenstein transports the classic to London under Thatcher

Cruel Britannia’s atmosphere of uncanniness and threat created by gender conformity resonates with deeper truths that a more straightforward retelling might miss.

  • by Cameron Woodhead, Vyshnavee Wijekumar, Will Cox and Nell Geraets
You don’t often see a performer of this calibre slumming it down an alleyway

You don’t often see a performer of this calibre slumming it down an alleyway

Mike McLeish’s solo show, Pensive Like a Fox, is a charming and offbeat cabaret filled with off-the-wall tangents and genuine poignancy.

  • by Cameron Woodhead, Tony Way, Kosa Monteith and Jessica Nicholas
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Pearl Jam’s last Melbourne show was a decade ago. For fans, it was worth the wait

Pearl Jam’s last Melbourne show was a decade ago. For fans, it was worth the wait

The rockers revelled in the Marvel Stadium crowd’s good vibes, performing a set too infectious to deny.

  • by Will Cox
Rebellious, big-hearted: This show is the holy grail of Australian musical theatre
★★★★★
Arts

Rebellious, big-hearted: This show is the holy grail of Australian musical theatre

The Miles Franklin classic that inspired a watershed moment in Australian cinema has now been transformed into an absolute cracker of a musical.

  • by Will Cox, Tony Way and Cameron Woodhead
Casey Donovan spearheads a sparkling cast in spirited show full of uplifting silliness

Casey Donovan spearheads a sparkling cast in spirited show full of uplifting silliness

It’s a joy to watch a feel-good musical that does exactly what it says on the box.

  • by Cameron Woodhead
An evening of high-spirited dance showcases new works by local artists

An evening of high-spirited dance showcases new works by local artists

Every movement speaks to the delicate balance between constraint and freedom, pressure and release, in these offerings from VCA graduates.

  • by Giselle Au-Nhien Nguyen, Cameron Woodhead and Andrew Fuhrmann
Gangsters and toy koalas: This unknotting of a sibling relationship is oddly affecting

Gangsters and toy koalas: This unknotting of a sibling relationship is oddly affecting

A portrait of a dysfunctional family loving each other in the ways they know best, Golden Blood is a story of yearning and ambition.

  • by Sonia Nair, Barney Zwartz, Michael Dwyer, Giselle Au-Nhien Nguyen and Jessica Nicholas

Original URL: https://www.smh.com.au/topic/melbourne-live-review-wrap-6g5h