Jo Thornely recaps The Bachelor episode 12
BELIEVE it or not, there is tension in the Bachelor mansion. Yep. It turns out some of the women aren’t fans of each other.
WELCOME to episode 12 of The Bachelor, with clay flinging, loud singing, and mud slinging. Top up your drink and find a fancy couch somewhere near the middle.
We start with Sam kayaking across the bay, which serves as a metaphor for later events.
The Contractual Obligation Nissans take our bachelorettes to an art studio, because as Sam says, “I love going on dates where I’m swept up by art and culture”. While this would usually mean reading the comics in the paper, today they’ll be sculpting and drawing, with Sam as the model.
The level of talent in the studio varies, but hovers somewhere between Second Grade Remedial Art and I Painted This With My Toes. With a private chat with Sam as the dangled carrot prize, the girls decide that further incentive for success is found under his shirt.
While Sam reclines on a chaise, the girls pair up to knead his earthen sausages into acceptable shapes, followed by an individual drawing exercise. Sarah claims that she knows her way around a doodle, Snezana is more into murals of Aphrodite, Rachel moans about the oppressive tyranny of being stuck on the side of the drawing studio with a bad view, and Heather claims that she’s been hit with a creative beast.
Look, let’s not sugar-coat it. These things are unbelievably terrible.
Afterwards, everyone gathers for an exhibition of the works, and I think we can all agree that by far the best thing to come out of this exercise, or indeed the series as a whole, is this thing:
I will never be able to look at Sam again without seeing this sculpture. It has etched its way into my psyche and my heart. And. Y’know. My nightmares.
A bit of housekeeping, though, as we welcome back the nipple count with open arms and areola.
Let’s see, Sam modelled twice, there were three sculptures and six drawings, carry the one ... that’s TWENTY TWO NEW NIPPLE SIGHTINGS, PEOPLE.
Everyone has a drink, Snezana’s winning drawing is announced, everyone has a drink, Rachel drinks her way through a disastrously tedious conversation with Sam, everyone has a drink, and drinks are served.
Despite Rachel’s adamant written drawing disclaimer:
Snezana’s sketch wins the private chat with Sam.
The chat happens in the ‘French Renaissance’, or ‘upstairs’.
They talk about big issues like moving interstate, intruder jealousy, and being really drunk.
Rachel barely has time to remind us all that she was on the SIDE, not in the MIDDLE, when we’re back at the Womansion again with Osher sending Sarah on a single date.
Sam and Sarah head out in the rain, causing Sarah to reference The Notebook.
Sam gives her some diamonds to wear and takes her to the opera. Weirdly at this point Sarah doesn’t reference Pretty Woman, a film about a prostitute that this is much more like.
It’s odd that an operatic aria, a view of Sydney Harbour, a conversation about living arrangements, a couch and Australia’s entire yearly output of candles can’t be more interesting, but Sam’s dates with Sarah seem to be a fairly regular snooze.
Until Sarah gets a rose and we get an embarrassing close-up of a pash that sounds like two wet steaks falling off a tray.
We plonk ourselves suddenly into the world’s tensest cocktail party. Lana resents the effusive reaction that the girls give Sarah when she returns from her date.
She compares it to the reaction she got when she returned from her date.
Rachel and Nina take a distinct dislike to each other, Nina saying she wouldn’t pick Rachel out of a catalogue of friends, and Rachel basically fat-shaming Nina for her enjoyment of bad food and distaste for treadmills, two of the finest qualities a human can possess. Neither thinks Sam could possibly like the other.
Look, I’ll put this delicately, but these two girls are hardly the top contenders for Sam’s affections.
It’s like watching two seals fight over a photograph of a fish.
Either way, it makes for some awkward gaps in the conversation.
Unimpressed, Rachel has another gettin’-to-know-you chat with Sam, which she listens to with
traditional vigour.
Finally it’s time for the Rose Ceremony and while the atmosphere is still tense, Sam looks a lot more relaxed than he did the night before.
Roses are flung at the four original girls, until it comes down to intruders Lana and Rachel.
The original girls hint that perhaps they’d like Rachel to go home, using subtle phrases like “not a nice girl”, and “Sam would basically have to have a lobotomy to keep Rachel around”, and that high-pitched music bit from Kill Bill.
In a move that plankton in the Mariana Trench see coming, Rachel is eliminated.
Bye, Rachel. Now you can finally achieve your dream of not being where people are.
Jo Thornely doesn’t get enough attention at her day job, so she writes for various outlets, takes up way too much bandwidth on the internet, and loves it when you explain her jokes back to her on Twitter. Jo will be faithfully recapping The Bachelor for news.com.au. Follow her on Twitter @JoThornely