Emma Stone debuts dramatic new look at The Golden Globes
A-list star Emma Stone rocked up to The Golden Globes red carpet sporting a dramatic new pixie haircut.
Emma Stone debuted a chic new ‘do while walking the red carpet at the 2025 Golden Globes in Los Angeles Sunday night.
The actor, 36, was photographed smiling and waving at screaming fans as she held hands with husband Dave McCary.
Stone turned heads in a strapless red custom Louis Vuitton gown, which featured a bow accent around the waist.
She opted for minimal makeup at the Golden Globes to keep full focus on her gorgeous new haircut.
Tracey Cunningham, her longtime stylist and OLAPLEX Global Ambassador, told Page Six that her current cut is inspired by Mia Farrow.
“She basically has no hair. It’s super short, and she’s going to have it cut again, so it’ll be even shorter,” she said, describing the actor’s hair colour as an auburn that is a “smidge” darker than her usual. The “Cruella” star’s pixie debut comes after she filmed “Bugonia,” a Yorgos Lanthimos film set to premiere in 2025.
Rumours have been swirling over the last few months that Stone had undergone a drastic hair transformation due to her rocking snug beanies and wigs on multiple occasions.
In early October, the actor was seen walking the streets of New York City in a beanie — which had fans wondering whether she shaved her head for the role.
The following day, Stone made an appearance at the New York Film Festival. Many fans were convinced she was wearing a wig at the time.
In a video shared on X on Oct. 6, Stone could be seen hugging and greeting Kieran Culkin’s wife, Jazz Charton, before quickly adjusting her hair (or wig).
It was later revealed the actor had indeed shaved her head for her role in “Bugonia,” prompting her to hide under hats and wigs.
Stone is no stranger to hair transformations, however. She is constantly changing her colour between blond, red and brown, and switches up her styles from pin straight to fun waves down her back.
This story originally appeared on Page Six and is republished here with permission.