Eminem’s child Stevie comes out as non-binary

Eminem’s adopted child with ex-wife Kim has come out as non-binary, sharing a photo montage of their journey to become “more comfortable”.

Eminem’s 19-year-old child has come out as non-binary and asked to be called Stevie from now on.

Stevie, who shared the news in a recent TikTok video, said they’ll use the pronouns they/she/he going forward. Formerly known as Whitney, Stevie showed their journey to become “more comfortable” with their body and self as their appearance changed over the years.

“forever growing and changing

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@st0nedc0w

forever growing and changing <3 #greenscreen#genderfluid#bi#life

♬ original sound - THXOC

The video kicks off with audio of someone crying before a montage of photos is shown to document Stevie’s transformation over the years.

Fans and followers praised Stevie in the comments, and half-sister Hailie Mathers “liked” the video. Stevie also revealed how they came up with their new name, explaining in the comments, “I spent a long time trying to pick a name I felt uncomfortable with and the first name I felt comfortable with is Stevie!”

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Stevie shared their pronouns with a powerful TikTok video.

Eminem adopted Stevie in 2005. Picture: Dimitrios Kambouris/Getty Images

Stevie added that they were “working on” changing their name officially on their passport.

The Stan rapper, 48, adopted Stevie, who is his ex-wife Kim Scott’s biological child with Eric Hartter, in 2005 when he had briefly reconciled with Scott.

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Stevie’s mum is Eminem’s ex-wife Kim Scott. Picture: Bill Pugliano/Getty Images

The name Stevie first appeared in the obituary for their late grandmother, Kathleen Sluck, who died in July. It read, “Kathleen was an exceptional mum to her two daughters; Kim and Dawn; and was overjoyed to become a grandmother to her grandchildren; Alaina, Adam, Hailie, Stevie, P.J., and Parker.”

Stevie came out as bisexual in 2017 and requested at the time to go by the pronouns she/they.

This article originally appeared on the New York Post and is reproduced here with permission