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REVIEW: Isle of Dogs a 5-star triumph on multiple levels for a never-better Wes Anderson

ISLE of Dogs is a triumph to be treasured on multiple levels. The intricate, insanely immersive aesthetic design is worth the price of admission alone. The rest of this magnificent movie not once rolls over and plays dead.

Film trailer: Isle Of Dogs

FILMMAKER Wes Anderson finally returns to our screens after 2014’s superb Grand Budapest Hotel with a second foray into the field of stop-motion animation (remember The Fantastic Mr Fox?).

A triumph to be treasured on multiple levels, Isle of Dogs just might the best thing Anderson has ever put his name to.

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Everything this idiosyncratic talent is famous (and infamous) for comes together seamlessly and soulfully like never before.

No need to worry, the gang from Isle of Dogs don’t bite!
No need to worry, the gang from Isle of Dogs don’t bite!

A playful, freewheeling plot is set in a near-future not disposed towards pooches of any persuasion.

In fact, in the pro-cat Japanese city of Megasaki, the mayor has faked a doggy disease outbreak so he can banish all canines to live in squalor on a faraway island.

One determined young boy named Atari (voiced by Koyu Rankin) isn’t having any of that. He wants his loyal pet and protector Spot (voiced by Liev Schreiber) back where he belongs.

After crash-landing a plane on the island, the plucky kid joins forces with a dream team of muttly marauders to find his lost best friend (and maybe, just maybe, bring all canines back in from the cold).

A scene from film Isle of Dogs.
A scene from film Isle of Dogs.

The indecisive Rex (Edward Norton) thinks he is the leader of the pack. Then again, he’s not so sure. Duke (Jeff Goldblum) is in charge of communications. Well, he knows a good rumour when he hears one at least.

Then there’s Boss (Bill Murray), a former baseball team mascot; King (Bob Balaban), the one-time face of a leading brand of puppy chow; Nutmeg (Scarlett Johansson), a show dog with a howling disregard for the opposite sex; and most importantly of all, Chief (Bryan Cranston), a lifelong stray who has his reasons for having never once obeyed a human.

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Without giving too much away, this is the most involving and sincere story Anderson has ever worked on and you don’t have to be a ‘dog person’ to feel what he is driving at here.

The intricate, insanely immersive aesthetic design of Isle of Dogs is worth the price of admission alone. If you are a card-carrying Anderson-ophile, the dog-gone gorgeous visuals amount to nothing short of the pop-up exhibition of your dreams.

A scene Isle of Dogs.
A scene Isle of Dogs.

However, when these arrestingly elaborate images are blended with sophisticated storytelling manoeuvres, simple slapstick antics, an irresistibly winning sense of humour and some of the finest vocal performances ever recorded for an animated production, the end result for Isle of Dogs is an instant classic.

ISLE OF DOGS (PG)

Rating: five stars (5 out of 5)

Director: Wes Anderson (The Grand Budapest Hotel)

Starring: the voices of Bryan Cranston, Koyu Rankin, Edward Norton, Scarlett Johansson, Bill Murray, Liev Schreiber, Jeff Goldblum, Bob Balaban, Koyu Rankin, Greta Gerwig, Tilda Swinton, F. Murray Abraham, Kunichi Nomura, Frances McDormand, Yoko Ono.

Go fetch this now!

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Original URL: https://www.heraldsun.com.au/entertainment/movies/review-isle-of-dogs-a-5star-triumph-on-multiple-levels-for-a-neverbetter-wes-anderson/news-story/1b9096e84e0d4db70aa62a5b986d5c5a