Austin Butler is ‘guy-candy’ in new bikie flick
Not since Brad Pitt slunk into view in Thelma & Louise has the camera loved anyone as much as Austin Butler, writes Leigh Paatsch.
Not since Brad Pitt slunk into view in Thelma & Louise has the camera loved anyone as much as Austin Butler, writes Leigh Paatsch.
Documentary reveals why the world bought into power, passion and political values of Midnight Oil, writes Leigh Paatsch.
Despicable Me 4 proves the adventures of Gru and his ever-expanding entourage won’t be getting old any time soon, writes Leigh Paatsch.
Hit Man, starring Top Gun and Anyone But You’s Glen Powell, is on target to be one of the best movies of 2024, writes Leigh Paatsch.
The Exorcist was one of the scariest mainstream motion pictures of all time. With this new sequel, you will have no choice but to listen, and no choice but to be scared, writes Leigh Paatsch.
The Creator will come to be regarded by most sci-fi enthusiasts as an honourably flawed, yet a totally admirable movie experience, writes Leigh Paatsch.
Liam Neeson redeems himself admirably with his latest 70-year-old-bloke-about-to-snap opus, writes Leigh Paatsch.
Kenneth Branagh is back as famous detective Hercule Poirot and the mysteries are twistier than ever, writes Leigh Paatsch.
Denzel Washington knocks it out of the park with a riveting performance in The Equalizer 3, writes Leigh Paatsch.
The world didn’t need another Teenage Mutant Ninja Turtle movie, but Leigh Paatsch explains why long-time fan Seth Rogen’s reboot is the best yet.
It was made with a fraction of the budget, but a Korean romance could spoil the party for the mighty Oppenheimer during the coming awards season, writes Leigh Paatsch.
A new movie featuring antics of badly-behaved dogs starts stronger than any screen comedy I can recall in the past five years, writes Leigh Paatsch.
A-listers such as Scarlett Johansson and Tom Hanks fall over themselves to work with director Wes Anderson – and his latest comedy Asteroid City shows why.
Simple but very effective, a low-budget Australian horror film by two Adelaide brothers has already made a big impact at the US box office. See review.
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