It’s no Mean Girls, but The DUFF — about the ‘Designated Ugly Fat Friend’ is solid and worth a look
REVIEW: Mae Whitman is neither fat nor ugly, but she is still well cast as The DUFF — the ‘Designated Ugly Fat Friend’. Ouch.
Leigh Paatsch
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The DUFF (M)
Director : Ari Sandel (feature debut)
Starring : Mae Whitman, Robbie Amell, Bella Thorne, Alison Janney, Ken Jeong, Romany Malco.
Rating : ***
What’s in a name? Everything, and nothing.
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Why the all-caps in the title of The DUFF?
It’s an acronym, standing for Designated Ugly Fat Friend, a social stereotype that supposedly acts as a buffer between attractive young females and any possible young male suitors.
Ouch. This being a Hollywood movie and all, the young woman who has been slapped with this less-than-flattering label is neither ugly, nor fat.
However, Bianca (Mae Whitman) does wear overalls a lot, which definitely makes her look a darn sight dowdier than her two hot best friends.
Based on the 2010 YA novel by Kody Keplinger, The DUFF is a moderately astute, consistently entertaining teen comedy about the evils of social-media shaming and the healing power of just being yourself.
While you wouldn’t put it in the same class as the similarly-themed (and still superb) Mean Girls - or even the under-rated Easy A - this film has its heart in the right place, and a strong cast that covers for most weaknesses.
Some intrepid TV viewers may know of Whitman from her stint on the now-defunct series Parenthood. These people will not be surprised how great a fit she is for the character of Bianca.
Whitman has great comic timing, a genuine warmth about her, and the ability to deliver dramatically when the going gets a little tougher.
The core themes of high-school bullying and preserving a positive sense of self are adequately addressed by The DUFF’s screenplay, but are boosted with real urgency and surprising depth by Whitman’s performance.
Her chemistry with co-star Robbie Amell - playing the jock-next-door who agrees to help Bianca find her own way to beat that DUFF rap - is also very effective and endearing for a film of this type.
Dig a little deeper into the support ranks, and you’ll find some great work from the likes of Ken Jeong (no longer doing that corny-dirty thing from The Hangover) and Alison Janney (playing Bianca’s happily clueless, but nevertheless supportive mother).
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