Jackie O as you’ve never seen her before

She’s made a habit of winning the radio ratings and now Jackie O is favoured to add an unexpected honour to her list of accolades.

Andrew McMurtry

@AndrewMcMurtry

less than 2 min read

May 3, 2025 - 6:24AM

news.com.au

The 2025 Archibald Prize, the prestigious art award for portraits, is here for another year. For 2025, 903 portraits were submitted with 57 revealed as finalists with the winner to be announced on May 9. They will be exhibited between May 10 and August 17 at the Art Gallery of NSW. (Pictured: Archibald Prize 2024 winner Laura Jones with her work Tim Winton). Picture: NewsWire /Supplied

1/104The 2025 Archibald Prize, the prestigious art award for portraits, is here for another year. For 2025, 903 portraits were submitted with 57 revealed as finalists with the winner to be announced on May 9. They will be exhibited between May 10 and August 17 at the Art Gallery of NSW. (Pictured: Archibald Prize 2024 winner Laura Jones with her work Tim Winton). Picture: NewsWire /Supplied

One of the big awards - the Packing Room Prize - has already been announced though, with Abdul Abdullah winning the $3000 cash prize for his work No Mountain High Enough. Born in Perth, Abdullah is a seven-time finalist in the award. However, no Packing Room winner has ever gone on to win the Archibald. Picture: Abdul Abdullah, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

2/104One of the big awards - the Packing Room Prize - has already been announced though, with Abdul Abdullah winning the $3000 cash prize for his work No Mountain High Enough. Born in Perth, Abdullah is a seven-time finalist in the award. However, no Packing Room winner has ever gone on to win the Archibald. Picture: Abdul Abdullah, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

The portrait depicts fellow well known Australian artist and 2015 Sulman Prize (best subject painting, genre painting or mural project) winner Jason Phu. Phu is also a 2025 Archibald Finalist for his painting of Hugo Weaving. Photo: Tim Pascoe

3/104The portrait depicts fellow well known Australian artist and 2015 Sulman Prize (best subject painting, genre painting or mural project) winner Jason Phu. Phu is also a 2025 Archibald Finalist for his painting of Hugo Weaving. Photo: Tim Pascoe

Alexis Wildman, senior installation officer and member of the Art Gallery's Packing Room team, and Director of the Art Gallery of New South Wales Maud Page pictured the winning artwork. Picture: Christian Gilles / NewsWire

4/104Alexis Wildman, senior installation officer and member of the Art Gallery's Packing Room team, and Director of the Art Gallery of New South Wales Maud Page pictured the winning artwork. Picture: Christian Gilles / NewsWire

Phu’s painting of Hugo Weaving is less photorealistic but depicts the Australian actor’s future self fighting his current self. Titled hugo from the future fighting hugo from right now in a swamp and all the frogs and insects and fish and flowers now look on, which basically tells you all you need to know. Picture: Jason Phu, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

5/104Phu’s painting of Hugo Weaving is less photorealistic but depicts the Australian actor’s future self fighting his current self. Titled hugo from the future fighting hugo from right now in a swamp and all the frogs and insects and fish and flowers now look on, which basically tells you all you need to know. Picture: Jason Phu, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

6/104The Australian actor at the premiere of How To Make Gravy on November 21, 2024 in Sydney, Australia. Photo by Saverio Marfia/Getty Images

One of the favourites to take out the 2025 Archibald Prize is this portrait of radio star Jackie O. The portrait painted by artist Kelly Maree titled Jackie O has already seen several people declare it their favourite for the prestigious honour. Picture: Kelly Maree, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

7/104One of the favourites to take out the 2025 Archibald Prize is this portrait of radio star Jackie O. The portrait painted by artist Kelly Maree titled Jackie O has already seen several people declare it their favourite for the prestigious honour. Picture: Kelly Maree, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

Jackie 'O' Henderson and her radio partner Kyle Sandilands have proven to be both rating behemoths, in Sydney, and controversial over the years. Recently the pair were reported to the Australian Communication and Media Authority (ACMA), finding the show had violated the commercial radio code of practice for two segments that included explicit sexual content and content that included sustained and vulgar graphic sexualised descriptions. Picture: Supplied/Instagram

8/104Jackie 'O' Henderson and her radio partner Kyle Sandilands have proven to be both rating behemoths, in Sydney, and controversial over the years. Recently the pair were reported to the Australian Communication and Media Authority (ACMA), finding the show had violated the commercial radio code of practice for two segments that included explicit sexual content and content that included sustained and vulgar graphic sexualised descriptions. Picture: Supplied/Instagram

This week, Jackie hit back at an elderly neighbour who complained as construction began on her dream home and labelled her and Sandilands “disgusting”. But Jackie O also revealed that she was blown away by the Archibald portrait, saying she had been blown away by Maree’s previous work of actor Josh Heuston. “Fast forward a few months, I’m in New York, still talking about that painting with friends, still in my mind,” she said in an Instagram video. “The very next day, an email lands in my inbox. It’s from Kelly!!!!! Out of the blue. She wanted to know if I’d be open to being painted for her Archibald next year. You could have knocked me over with a feather. Was this real? What serendipity. Turns out we were drawn to each other.” Picture: NewsWire / John Appleyard

9/104This week, Jackie hit back at an elderly neighbour who complained as construction began on her dream home and labelled her and Sandilands “disgusting”. But Jackie O also revealed that she was blown away by the Archibald portrait, saying she had been blown away by Maree’s previous work of actor Josh Heuston. “Fast forward a few months, I’m in New York, still talking about that painting with friends, still in my mind,” she said in an Instagram video. “The very next day, an email lands in my inbox. It’s from Kelly!!!!! Out of the blue. She wanted to know if I’d be open to being painted for her Archibald next year. You could have knocked me over with a feather. Was this real? What serendipity. Turns out we were drawn to each other.” Picture: NewsWire / John Appleyard

The artwork Adrian Jangala Robertson (paintbrush and hat) by NSW artist Clara Adolphs features Walpiri man Adrian Jangala Robertson, who lives in the Central Western Desert region. An artist himself, he is also a finalist in the 2025 Archibald Prize. Picture: Clara Adolphs, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

10/104The artwork Adrian Jangala Robertson (paintbrush and hat) by NSW artist Clara Adolphs features Walpiri man Adrian Jangala Robertson, who lives in the Central Western Desert region. An artist himself, he is also a finalist in the 2025 Archibald Prize. Picture: Clara Adolphs, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

Adrian Robertson sitting at a work station. Adolphs said of the portrait: “I took a lot of photos, as my usual work is photography-based. Back in my studio, I made several more portraits. This painting is quite simple, but I think it captures Adrian’s quiet confidence and self-assurance as a painter.”

11/104Adrian Robertson sitting at a work station. Adolphs said of the portrait: “I took a lot of photos, as my usual work is photography-based. Back in my studio, I made several more portraits. This painting is quite simple, but I think it captures Adrian’s quiet confidence and self-assurance as a painter.”

Katie Noonan by Jessica Ashton features singer/songwriter and one of Australia’s greatest ever vocalists Katie Noonan. Picture: Jessica Ashton, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

12/104Katie Noonan by Jessica Ashton features singer/songwriter and one of Australia’s greatest ever vocalists Katie Noonan. Picture: Jessica Ashton, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

13/104Noonan posted about the portrait on Facebook, writing she was “deeply honoured” by the depiction. Picture: Neil Bennett

The Definition of Hope by Mostafa Azimitabar features sexual abuse survivor, 2021 Australian of the Year and long-distance runner Grace Tame. Azimitabar himself sought asylum in Australia in 2013 but was held at Manus Island and onshore until his release in 2021. When he sued the Australian government for damages, Tame was in court to support him. He is now a three-time Archibald Finalist, having learned to paint while in detention using a toothbrush. Picture: Mostafa Azimitabar, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

14/104The Definition of Hope by Mostafa Azimitabar features sexual abuse survivor, 2021 Australian of the Year and long-distance runner Grace Tame. Azimitabar himself sought asylum in Australia in 2013 but was held at Manus Island and onshore until his release in 2021. When he sued the Australian government for damages, Tame was in court to support him. He is now a three-time Archibald Finalist, having learned to paint while in detention using a toothbrush. Picture: Mostafa Azimitabar, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

The pair have formed a close friendship since being introduced. Azimitabar said: “In this portrait, the road represents the journey through life. Grace’s right hand looks as if she’s lifting the road, lifting the world. By bravely sharing her story, she inspires people not to give up. She is a hero; the definition of hope.” Photo by Lisa Maree Williams/Getty Images

15/104The pair have formed a close friendship since being introduced. Azimitabar said: “In this portrait, the road represents the journey through life. Grace’s right hand looks as if she’s lifting the road, lifting the world. By bravely sharing her story, she inspires people not to give up. She is a hero; the definition of hope.” Photo by Lisa Maree Williams/Getty Images

Rona and Pig at Palm Valley by Billy Bain features Western Aranda artist Rona Panangka Rubuntja. She is deaf and communicates through Auslan and Western Aranda sign language. Picture: Billy Bain, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

16/104Rona and Pig at Palm Valley by Billy Bain features Western Aranda artist Rona Panangka Rubuntja. She is deaf and communicates through Auslan and Western Aranda sign language. Picture: Billy Bain, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

Gilbert McAdams and artist Rona Panangka Rubuntja check out iconic indigenous moments in footy at the Hermannsburg Potters in the Northern Territory. Rona is a member of the Hermannsburg Potters. Picture: Jake Nowakowski

17/104Gilbert McAdams and artist Rona Panangka Rubuntja check out iconic indigenous moments in footy at the Hermannsburg Potters in the Northern Territory. Rona is a member of the Hermannsburg Potters. Picture: Jake Nowakowski

Cressida Campbell by Natasha Bieniek depicts artist Cressida Campbell, who has been working as an artist for the past four decades. Picture: Billy Bain, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

18/104Cressida Campbell by Natasha Bieniek depicts artist Cressida Campbell, who has been working as an artist for the past four decades. Picture: Billy Bain, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

Campbell was diagnosed with a rare brain abscess in 2020 that nearly ended her life. Two operations later, she was paralysed on her right side but after treatment was able to return to making art. Photo: National Gallery of Australia, Kamberri/Canberra, 2022

19/104Campbell was diagnosed with a rare brain abscess in 2020 that nearly ended her life. Two operations later, she was paralysed on her right side but after treatment was able to return to making art. Photo: National Gallery of Australia, Kamberri/Canberra, 2022

Bridget in my painting by Angela Brennan depicts award-winning Indigenous journalist Bridget Brennan, artist Angela’s niece. Bridget is the co-host and newsreader of News Breakfast for the ABC. Picture: Angela Brennan, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

20/104Bridget in my painting by Angela Brennan depicts award-winning Indigenous journalist Bridget Brennan, artist Angela’s niece. Bridget is the co-host and newsreader of News Breakfast for the ABC. Picture: Angela Brennan, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

Bridget Brennan won the Gold Quill award as part of the Four Corners team which investigated the crisis of missing and murdered First Nations women. Picture: ABC News Breakfast

21/104Bridget Brennan won the Gold Quill award as part of the Four Corners team which investigated the crisis of missing and murdered First Nations women. Picture: ABC News Breakfast

Sana Balai, curator, visits Yuriyal’s studio by Yuriyal Bridgeman depicts Sana Balai, a Bougainville elder from Buka Island in Papua New Guinea, who migrated to Australia in 1990. The work is Bridgeman’s first time as a Archibald Finalist. Picture: Yuriyal Bridgeman, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

22/104Sana Balai, curator, visits Yuriyal’s studio by Yuriyal Bridgeman depicts Sana Balai, a Bougainville elder from Buka Island in Papua New Guinea, who migrated to Australia in 1990. The work is Bridgeman’s first time as a Archibald Finalist. Picture: Yuriyal Bridgeman, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

Of Balai (pictured here in 2008), Bridgeman said: “She is a guide, supporter and mother figure to many diaspora artists. Aunty Sana came to my studio for a sitting. The walls are painted pink and green, and decorated with bilums, handwoven bags that represent motherhood. I painted her in the black-and-white dress she was wearing. I added a kakapa (grass skirt) and traditional bilas (body adornment) in the form of white dots (a bun turu tubur) that symbolise ancestors and a pathway. I inserted myself in the portrait wearing my work boots and holding a kuman, a shield from my region in PNG. Aunty Sana sat with her hands curled on her lap. It looked like a love heart, so I added this as a sign of her giving nature.”

23/104Of Balai (pictured here in 2008), Bridgeman said: “She is a guide, supporter and mother figure to many diaspora artists. Aunty Sana came to my studio for a sitting. The walls are painted pink and green, and decorated with bilums, handwoven bags that represent motherhood. I painted her in the black-and-white dress she was wearing. I added a kakapa (grass skirt) and traditional bilas (body adornment) in the form of white dots (a bun turu tubur) that symbolise ancestors and a pathway. I inserted myself in the portrait wearing my work boots and holding a kuman, a shield from my region in PNG. Aunty Sana sat with her hands curled on her lap. It looked like a love heart, so I added this as a sign of her giving nature.”

Stephen Ralph by Mitch Cairns depicts sculptor Stephen Ralph, who makes abstract and figurative works in a range of materials as well as a musician who plays in the band Terrible Music. Picture: Mitch Cairns, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

24/104Stephen Ralph by Mitch Cairns depicts sculptor Stephen Ralph, who makes abstract and figurative works in a range of materials as well as a musician who plays in the band Terrible Music. Picture: Mitch Cairns, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

His face like my face – self-portrait as Robert Englund playing Freddy Krueger by Mathew Calandra depicts Freddy Krueger from the 1984 film A Nightmare on Elm Street. Calandra said it is “one of my favourite movies”. Picture: Mathew Calandra, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

25/104His face like my face – self-portrait as Robert Englund playing Freddy Krueger by Mathew Calandra depicts Freddy Krueger from the 1984 film A Nightmare on Elm Street. Calandra said it is “one of my favourite movies”. Picture: Mathew Calandra, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

Robert England without the prosthetics. Calandra, a first-time Archibald finalists, said he was inspired by a picture of Englund he had in his bedroom. PHOTO BY MARIE NIRME

26/104Robert England without the prosthetics. Calandra, a first-time Archibald finalists, said he was inspired by a picture of Englund he had in his bedroom. PHOTO BY MARIE NIRME

I’m a little fish in New York (ripples of ambition) by Peter Ke Heng Chen depicts Australian comedian Aaron Chen. Peter is Aaron’s father and he channelled his pride, love and belief in his son into the picture. Picture: Peter Ke Heng Chen, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

27/104I’m a little fish in New York (ripples of ambition) by Peter Ke Heng Chen depicts Australian comedian Aaron Chen. Peter is Aaron’s father and he channelled his pride, love and belief in his son into the picture. Picture: Peter Ke Heng Chen, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

Chen with fellow comedian Guy Montgomery. Chen has already made waves in the Australian comedy scene but has tried his hand at cracking the American market.

28/104Chen with fellow comedian Guy Montgomery. Chen has already made waves in the Australian comedy scene but has tried his hand at cracking the American market.

Home by Rachel Coad depicts global creative director Ken Leung, who had shaped the visual language for some of the world’s biggest brands in UNIQLO and DKNY. It is Coad’s first time as an Archibald finalist. Picture: Rachel Coad, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

29/104Home by Rachel Coad depicts global creative director Ken Leung, who had shaped the visual language for some of the world’s biggest brands in UNIQLO and DKNY. It is Coad’s first time as an Archibald finalist. Picture: Rachel Coad, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

Self-portrait with two cats by Yvette Coppersmith is pretty self explanatory. A winner of the Archibald with another self-portrait in 2018, Coppersmith said of the image: “In my own experience, the relationship with my pets transcends mere representation, becoming an integral part of the creative process – serving as both studio companion and model, quietly inhabiting the space”. Picture: Yvette Coppersmith, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

30/104Self-portrait with two cats by Yvette Coppersmith is pretty self explanatory. A winner of the Archibald with another self-portrait in 2018, Coppersmith said of the image: “In my own experience, the relationship with my pets transcends mere representation, becoming an integral part of the creative process – serving as both studio companion and model, quietly inhabiting the space”. Picture: Yvette Coppersmith, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

31/104Coppersmith with her 2018 winning self-portrait.

Blood, sweat and tears by Luke Cornish and Christophe Domergue depicts Wiradjuri woman Yvonne Weldon, who was the first Indigenous councillor to be elected by the City of Sydney. Picture: Luke Cornish, Christophe Domergue, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

32/104Blood, sweat and tears by Luke Cornish and Christophe Domergue depicts Wiradjuri woman Yvonne Weldon, who was the first Indigenous councillor to be elected by the City of Sydney. Picture: Luke Cornish, Christophe Domergue, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

33/104Weldon was elected in 2021, and became the first Aboriginal Councillor in the 180-year history of the council. Picture: NewsWire / Nikki Short

Natasha in the other room by Jonathan Dalton depict artist Natasha Walsh, who is also a finalist in the Archibald and Wynne Prizes. Picture: Jonathan Dalton, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

34/104Natasha in the other room by Jonathan Dalton depict artist Natasha Walsh, who is also a finalist in the Archibald and Wynne Prizes. Picture: Jonathan Dalton, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

Banquet (Rainbow Chan) by Whitney Duan depicts artist and musician Chun Yin Rainbow Chan. Born in Hong Kong and living and working in Sydney, Chan often evokes traditional Chinese methods in different ways. Picture: Whitney Duan, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

35/104Banquet (Rainbow Chan) by Whitney Duan depicts artist and musician Chun Yin Rainbow Chan. Born in Hong Kong and living and working in Sydney, Chan often evokes traditional Chinese methods in different ways. Picture: Whitney Duan, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

36/104Rainbow Chan before the 2017 MOFO Festival.

Felix Cameron by Jeremy Eden depicts young actor Felix Cameron. At just 15, Cameron won two Logie awards for his performance as Eli Bell in Netflix series Boy Swallows Universe. Picture: Jeremy Eden, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

37/104Felix Cameron by Jeremy Eden depicts young actor Felix Cameron. At just 15, Cameron won two Logie awards for his performance as Eli Bell in Netflix series Boy Swallows Universe. Picture: Jeremy Eden, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

Eden said the inspiration for the work came after Cameron’s Logies acceptance speech. “It was incredibly moving,” Eden said. “I was already a big fan of Boy Swallows Universe and I thought Felix gave such a powerful, grounded performance. After meeting him and his family, I wanted to portray him not as a character, but as himself: a teenager at home, passionate about sport.” Photo by Chris Hyde/Getty Images for AFI

38/104Eden said the inspiration for the work came after Cameron’s Logies acceptance speech. “It was incredibly moving,” Eden said. “I was already a big fan of Boy Swallows Universe and I thought Felix gave such a powerful, grounded performance. After meeting him and his family, I wanted to portray him not as a character, but as himself: a teenager at home, passionate about sport.” Photo by Chris Hyde/Getty Images for AFI

Ramesh (with mask) by Remy Faint depicts Sri Lankan – born Australian artist Ramesh Mario Nithiyendran, who is a finalist in the Wynne Prize. An irreverent ceramist, Nithiyendran works across materials including sculpture, paining and printmaking. Picture: Remy Faint, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

39/104Ramesh (with mask) by Remy Faint depicts Sri Lankan – born Australian artist Ramesh Mario Nithiyendran, who is a finalist in the Wynne Prize. An irreverent ceramist, Nithiyendran works across materials including sculpture, paining and printmaking. Picture: Remy Faint, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

Of Nithiyendran, Faint said: “Ramesh has a unique charisma that resonates in his art and outgoing personality. This made me think about performativity, a theme Ramesh has explored in his work through the recurring motif of masks, both as a form of adornment and a conceptual idea.” Photo: Hugh Stewart

40/104Of Nithiyendran, Faint said: “Ramesh has a unique charisma that resonates in his art and outgoing personality. This made me think about performativity, a theme Ramesh has explored in his work through the recurring motif of masks, both as a form of adornment and a conceptual idea.” Photo: Hugh Stewart

Head of BF no 2 by David Fairbairn depicts head of cardiothoracic surgery at Liverpool Hospital in South Western Sydney Professor Bruce French. Picture: David Fairbairn, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

41/104Head of BF no 2 by David Fairbairn depicts head of cardiothoracic surgery at Liverpool Hospital in South Western Sydney Professor Bruce French. Picture: David Fairbairn, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

Bruce French sitting for David Fairbairn in the past. Fairbairn said: “Bruce’s striking appearance, with his lean physique and almost skeletal bone structure, immediately drew me in. As a rule, my subjects tend to be people in their later years, who have had rich, varied life experiences, which makes it possible for me to create a more emotive, expressive and visually stimulating response.” This is Fairbairn’s 10th time as an Archibald Finalist. Photo: Instagram

42/104Bruce French sitting for David Fairbairn in the past. Fairbairn said: “Bruce’s striking appearance, with his lean physique and almost skeletal bone structure, immediately drew me in. As a rule, my subjects tend to be people in their later years, who have had rich, varied life experiences, which makes it possible for me to create a more emotive, expressive and visually stimulating response.” This is Fairbairn’s 10th time as an Archibald Finalist. Photo: Instagram

Keiran by Timothy Ferguson depicts Sydney artist Kerian Gordon, who combines painting, drawing and sculpture in his art. Ferguson is a first-time Archibald finalist. Picture: Timothy Ferguson, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

43/104Keiran by Timothy Ferguson depicts Sydney artist Kerian Gordon, who combines painting, drawing and sculpture in his art. Ferguson is a first-time Archibald finalist. Picture: Timothy Ferguson, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

Malatja malatja (into the future) by Robert Fielding depicts his grandson Arnold Dodd, a master spear-maker. Fielding said of the piece: “This painting is not just about Arnold. It’s about all of us who came before and all who will come after. It’s about what survives – language, skill, story. He holds it with strength and grace. Through him, our culture walks boldly into the future.” Picture: Robert Fielding, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

44/104Malatja malatja (into the future) by Robert Fielding depicts his grandson Arnold Dodd, a master spear-maker. Fielding said of the piece: “This painting is not just about Arnold. It’s about all of us who came before and all who will come after. It’s about what survives – language, skill, story. He holds it with strength and grace. Through him, our culture walks boldly into the future.” Picture: Robert Fielding, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

Flagship Mother Multiverse (Justene) by Julie Fragar depicts artist Justene Williams. The title comes from Justene’s recent performance in New Zealand titled Making do rhymes with poo about getting by, particularly balancing work and a family life. Picture: Julie Fragar, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

45/104Flagship Mother Multiverse (Justene) by Julie Fragar depicts artist Justene Williams. The title comes from Justene’s recent performance in New Zealand titled Making do rhymes with poo about getting by, particularly balancing work and a family life. Picture: Julie Fragar, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

Williams works across media including video, photography, sculpture and performance. Fragar is now a four-time Archibald finalist. Photo: Britta Campion / The Australian

46/104Williams works across media including video, photography, sculpture and performance. Fragar is now a four-time Archibald finalist. Photo: Britta Campion / The Australian

Still standing and fighting by Linda Gold depicts AFL legend, 2025 Australian of the Year and FightMND co-founder Neale Daniher. He has raised $115 million for research into the disease he suffers from. Picture: Linda Gold, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

47/104Still standing and fighting by Linda Gold depicts AFL legend, 2025 Australian of the Year and FightMND co-founder Neale Daniher. He has raised $115 million for research into the disease he suffers from. Picture: Linda Gold, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

Daniher receiving his Australian of the Year honour. Gold said of Daniher: “I wrote asking if he would consider posing for a portrait. He kindly agreed to a 15-minute sitting at his home. In the end, I spent more than an hour with Neale and his wife Jan.” Photo: NewsWire / Martin Ollman

48/104Daniher receiving his Australian of the Year honour. Gold said of Daniher: “I wrote asking if he would consider posing for a portrait. He kindly agreed to a 15-minute sitting at his home. In the end, I spent more than an hour with Neale and his wife Jan.” Photo: NewsWire / Martin Ollman

Sisters by Jaq Grantford depicts Antonia and Nicole Kidman, who sat for the portrait last Christmas Eve. The portrait is a tribute to their mother Janelle, who died last September. Picture: Jaq Grantford, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

49/104Sisters by Jaq Grantford depicts Antonia and Nicole Kidman, who sat for the portrait last Christmas Eve. The portrait is a tribute to their mother Janelle, who died last September. Picture: Jaq Grantford, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

I won’t wish, I will by Yolande Gray depicts well-known ceramic artist Pippin Drysdale, whose career has lasted three decades. Picture: Yolande Gray, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

50/104I won’t wish, I will by Yolande Gray depicts well-known ceramic artist Pippin Drysdale, whose career has lasted three decades. Picture: Yolande Gray, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

51/104Drysdale uses ceramic and inspiration from landscapes, including Australian desert landscapes, in her work. Photo: Stewart Allen

Meditation on time (a left-handed self-portrait) by Tsering Hannaford is a self-portrait done in Hannaford’s non-dominant left hand. It took seven months to do after she suffered a debilitating tendon injury in her right wrist. The 11-time Archibald finalist said: “My right hand is not just connected to my work and livelihood, but to my sense of independence, agency and identity … Art can have the power to transform suffering and, if anything, my experience with chronic pain has made me more sensitive to the challenges of others, and grateful for the blessings I do have.” Picture: Tsering Hannaford, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

52/104Meditation on time (a left-handed self-portrait) by Tsering Hannaford is a self-portrait done in Hannaford’s non-dominant left hand. It took seven months to do after she suffered a debilitating tendon injury in her right wrist. The 11-time Archibald finalist said: “My right hand is not just connected to my work and livelihood, but to my sense of independence, agency and identity … Art can have the power to transform suffering and, if anything, my experience with chronic pain has made me more sensitive to the challenges of others, and grateful for the blessings I do have.” Picture: Tsering Hannaford, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

Nooky, The Voice by JESWRI depicts Yuin and Thunghutti rapper and Triple J radio host Nooky. Nooky also founded the Indigenous social enterprise We Are Warriors. Picture: JESWRI, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

53/104Nooky, The Voice by JESWRI depicts Yuin and Thunghutti rapper and Triple J radio host Nooky. Nooky also founded the Indigenous social enterprise We Are Warriors. Picture: JESWRI, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

The portrait of Nooky is after his 2024 ARIA performance, where he’s wearing a bulletproof vest. JESWRI said: “That night, Nooky had an undeniable presence, which needed to be immortalised”. Picture: NewsWire/ Monique Harmer

54/104The portrait of Nooky is after his 2024 ARIA performance, where he’s wearing a bulletproof vest. JESWRI said: “That night, Nooky had an undeniable presence, which needed to be immortalised”. Picture: NewsWire/ Monique Harmer

New Madonna by Brittany Jones is a self-portrait including her son. The first-time Archibald finalist said: “I chose to include my son in this self-portrait to commemorate his life with me earthside at roughly the same amount of time he spent inside before he was born. I drew inspiration for the pose from the classical depictions of the Madonna and Child.” Picture: Brittany Jones, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

55/104New Madonna by Brittany Jones is a self-portrait including her son. The first-time Archibald finalist said: “I chose to include my son in this self-portrait to commemorate his life with me earthside at roughly the same amount of time he spent inside before he was born. I drew inspiration for the pose from the classical depictions of the Madonna and Child.” Picture: Brittany Jones, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

Kim by Solomon Kammer depicts Kim Leutwyler, a seven-time Archibald finalist who had gender-affirming surgery. Picture: Solomon Kammer, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

56/104Kim by Solomon Kammer depicts Kim Leutwyler, a seven-time Archibald finalist who had gender-affirming surgery. Picture: Solomon Kammer, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

Diana through threads by Madeleine Kelly depicts textile artist, painter and visual art professor at the University of Wollongong Diana Wood Conroy. Over a six decade career, Conroy has produced hundreds of tapestries, with first-time Archibald finalist Kelly choosing the thread theme. Picture: Madeleine Kelly, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

57/104Diana through threads by Madeleine Kelly depicts textile artist, painter and visual art professor at the University of Wollongong Diana Wood Conroy. Over a six decade career, Conroy has produced hundreds of tapestries, with first-time Archibald finalist Kelly choosing the thread theme. Picture: Madeleine Kelly, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

Thom Roberts by Daniel Kim depicts Thom Roberts, a four-time Archibald finalist who works across painting, drawing, installation, animation and performance. Picture: Daniel Kim, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

58/104Thom Roberts by Daniel Kim depicts Thom Roberts, a four-time Archibald finalist who works across painting, drawing, installation, animation and performance. Picture: Daniel Kim, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

Kim said of Roberts: “Thom and I have both been Archibald finalists before and have had artworks exhibited at the Art Gallery of New South Wales. Thom and I also did some sketching at the Art Gallery at a late-night art event. Thom is in this year’s Sulman Prize.” Picture: John Appleyard

59/104Kim said of Roberts: “Thom and I have both been Archibald finalists before and have had artworks exhibited at the Art Gallery of New South Wales. Thom and I also did some sketching at the Art Gallery at a late-night art event. Thom is in this year’s Sulman Prize.” Picture: John Appleyard

Monica in her studio by Bronte Leighton-Dore depicts Monica Rani Rudhar. Born to Indian and Romanian migrant parents, Rudhar works across sculpture, video and performance. Picture: Bronte Leighton-Dore, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

60/104Monica in her studio by Bronte Leighton-Dore depicts Monica Rani Rudhar. Born to Indian and Romanian migrant parents, Rudhar works across sculpture, video and performance. Picture: Bronte Leighton-Dore, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

Rudhar’s art explores cultural disconnection. Leighton-Dore said: “I don’t mind movement in my sittings; it helps relieve the pressure and creates a more relaxed atmosphere. In this case, Monica is shown chatting with me.”. Picture: Monica Rani Rudhar and Museum of Contemporary Art Australia / Zan Wimberley

61/104Rudhar’s art explores cultural disconnection. Leighton-Dore said: “I don’t mind movement in my sittings; it helps relieve the pressure and creates a more relaxed atmosphere. In this case, Monica is shown chatting with me.”. Picture: Monica Rani Rudhar and Museum of Contemporary Art Australia / Zan Wimberley

You are only as good as your last painting by Richard Lewer has done a self-portrait which shows him stepping back to admire his painting. Picture: Richard Lewer, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

62/104You are only as good as your last painting by Richard Lewer has done a self-portrait which shows him stepping back to admire his painting. Picture: Richard Lewer, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

The New Zealand-born Melburnian is a five-time Archibald finalist. Of the painting he said: “In the portrait, my clothes are flecked with the smears and splotches of paint from months in the studio. There is a physicality to the outfit; it is a palette, a uniform, and a record of repetition, routine and the discipline of making. The glasses in one hand and paintbrush in the other are metaphors for the act of looking and making; the tools of observation and inspiration.”

63/104The New Zealand-born Melburnian is a five-time Archibald finalist. Of the painting he said: “In the portrait, my clothes are flecked with the smears and splotches of paint from months in the studio. There is a physicality to the outfit; it is a palette, a uniform, and a record of repetition, routine and the discipline of making. The glasses in one hand and paintbrush in the other are metaphors for the act of looking and making; the tools of observation and inspiration.”

Ken Done by Fiona Lowry depicts legendary Australian artist Ken Done. Picture: Fiona Lowry, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

64/104Ken Done by Fiona Lowry depicts legendary Australian artist Ken Done. Picture: Fiona Lowry, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

Painted by 2014 Archibald winner Lowry, she said Done’s work had been a feature of her life. “I chose to paint Ken Done for the Archibald because his art and design was woven into the fabric of my childhood. I remember my mother buying his bedspreads. They felt rich and vibrant, like bringing joy into the home. I used to draw his fish, completely absorbed in their playful shapes and colours that echoed the ocean and my home town. His frangipanis and hibiscus still sit in my memory as symbols of the changing seasons – of warmth, light, and a uniquely Australian kind of beauty.” Picture: Christian Gilles

65/104Painted by 2014 Archibald winner Lowry, she said Done’s work had been a feature of her life. “I chose to paint Ken Done for the Archibald because his art and design was woven into the fabric of my childhood. I remember my mother buying his bedspreads. They felt rich and vibrant, like bringing joy into the home. I used to draw his fish, completely absorbed in their playful shapes and colours that echoed the ocean and my home town. His frangipanis and hibiscus still sit in my memory as symbols of the changing seasons – of warmth, light, and a uniquely Australian kind of beauty.” Picture: Christian Gilles

Miranda and Prince by Col Mac depicts Australian actor Miranda Otto. A long time fan of her work, Mac was thrilled when Otto decided to sit for him. Picture: Col Mac, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

66/104Miranda and Prince by Col Mac depicts Australian actor Miranda Otto. A long time fan of her work, Mac was thrilled when Otto decided to sit for him. Picture: Col Mac, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

Otto, who has featured in the likes of The Lord of the Rings, War of the Worlds and TV show Homeland, left Mac feeling she was a “a very engaging, thoughtful person. We were outside for most of the morning before ending up in the living room, which is why Miranda is wearing those amazing bright sneakers”. Mac is a first-time Archibald finalist. Photo: Corey Nickols/Getty Images for IMDb

67/104Otto, who has featured in the likes of The Lord of the Rings, War of the Worlds and TV show Homeland, left Mac feeling she was a “a very engaging, thoughtful person. We were outside for most of the morning before ending up in the living room, which is why Miranda is wearing those amazing bright sneakers”. Mac is a first-time Archibald finalist. Photo: Corey Nickols/Getty Images for IMDb

Shan is a little little little mermaid by Catherine McGuiness depicts queer Australian artist Shan Turner-Carroll. Picture: Catherine McGuiness, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

68/104Shan is a little little little mermaid by Catherine McGuiness depicts queer Australian artist Shan Turner-Carroll. Picture: Catherine McGuiness, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

Turner-Carroll works across sculpture, performance, photography and film. McGuiness said of Turner-Carroll: “Shan is an artist and my Prince Charming. He helps me with my sketching and we have made lots of artworks and exhibitions together.” Photo: Instagram

69/104Turner-Carroll works across sculpture, performance, photography and film. McGuiness said of Turner-Carroll: “Shan is an artist and my Prince Charming. He helps me with my sketching and we have made lots of artworks and exhibitions together.” Photo: Instagram

Savanhdary by Kerry McInnis depicts Savanhdary Vongpoothorn, a Lao-Australian painter who arrived in the country as a seven-year-old. Picture: Kerry McInnis, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

70/104Savanhdary by Kerry McInnis depicts Savanhdary Vongpoothorn, a Lao-Australian painter who arrived in the country as a seven-year-old. Picture: Kerry McInnis, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

Two-time Archibald finalist McInnis said of Vongpoothorn: “I have long admired the integrity and execution of Savanhdary’s oeuvre, appreciating the complexity of the intercultural connections it illuminates.”

71/104Two-time Archibald finalist McInnis said of Vongpoothorn: “I have long admired the integrity and execution of Savanhdary’s oeuvre, appreciating the complexity of the intercultural connections it illuminates.”

King Dingo by Vincent Namatjira is a self-portrait by the 2020 Archibald winner. Picture: Vincent Namatjira, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

72/104King Dingo by Vincent Namatjira is a self-portrait by the 2020 Archibald winner. Picture: Vincent Namatjira, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

Namatjira won the Archibald for his painting of Adam Goodes, becoming the first Indigenous artist to win the award. But this time around he painted a self-portrait. “When I paint self-portraits, I want people to get to know me a bit and see what is important to me – Country, family, history, power, recognition,” Namatjira said. “Self-portraiture is a way of sharing what it might be like to be in my shoes. It’s also an opportunity for me to look at the history of this country and ask, who has the power, and why?” Photo: Sia Duff

73/104Namatjira won the Archibald for his painting of Adam Goodes, becoming the first Indigenous artist to win the award. But this time around he painted a self-portrait. “When I paint self-portraits, I want people to get to know me a bit and see what is important to me – Country, family, history, power, recognition,” Namatjira said. “Self-portraiture is a way of sharing what it might be like to be in my shoes. It’s also an opportunity for me to look at the history of this country and ask, who has the power, and why?” Photo: Sia Duff

Self-portrait with nose tube by Chris O’Doherty (AKA Reg Mombassa) is a self-portrait by the legendary artist of Mambo fame. He was also a founding member of Mental as Anything. Picture: Reg Mombassa, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

74/104Self-portrait with nose tube by Chris O’Doherty (AKA Reg Mombassa) is a self-portrait by the legendary artist of Mambo fame. He was also a founding member of Mental as Anything. Picture: Reg Mombassa, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

It’s the second time Mombassa has submitted a self-portrait for the prize. “This painting is based on a selfie and some sketches I made while in hospital a couple of years ago,” he said. “I find self-portraits easier to set up as I am readily available and will not complain about a negative or ugly portrayal. Plus I don’t need to be stuck in a room with a stranger.” Photo: Supplied

75/104It’s the second time Mombassa has submitted a self-portrait for the prize. “This painting is based on a selfie and some sketches I made while in hospital a couple of years ago,” he said. “I find self-portraits easier to set up as I am readily available and will not complain about a negative or ugly portrayal. Plus I don’t need to be stuck in a room with a stranger.” Photo: Supplied

Casey by Sassy Park depicts ceramic artist Casey Chen, who blends both nostalgia and East Asian ceramics. Park is a first-time Archibald finalist. Picture: Sassy Park, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

76/104Casey by Sassy Park depicts ceramic artist Casey Chen, who blends both nostalgia and East Asian ceramics. Park is a first-time Archibald finalist. Picture: Sassy Park, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

Self-portrait (the act of putting it back together) by Sid Pattni is a self-portrait examining how he came to understand himself, using a range of different styles. “Crucially, these references are about getting it wrong; about producing pictures that speak of the here and now,” Pattni said. “I’m very attracted to the cycle of collapsing interpretations, telling a story of how India is perceived externally and how generations of Indians came to internalise and inhabit Western projections of ‘Indian-ness’ today. Ultimately, my portrait is not a fixed statement but a dynamic exploration of identity, which is a constant negotiation between inherited histories and the lived realities of the present.” Picture: Sid Pattni, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

77/104Self-portrait (the act of putting it back together) by Sid Pattni is a self-portrait examining how he came to understand himself, using a range of different styles. “Crucially, these references are about getting it wrong; about producing pictures that speak of the here and now,” Pattni said. “I’m very attracted to the cycle of collapsing interpretations, telling a story of how India is perceived externally and how generations of Indians came to internalise and inhabit Western projections of ‘Indian-ness’ today. Ultimately, my portrait is not a fixed statement but a dynamic exploration of identity, which is a constant negotiation between inherited histories and the lived realities of the present.” Picture: Sid Pattni, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

78/104Sid Pattni entered the 2021 Big Brother house. This is his first year in the Archibald Prize. Picture: Seven Network

Magic Nikki and Charlie Fancy Pants Party … DJaaaaaaaay by Meagan Pelham depicts designer and jeweller Nikita Majajas and her wife Charlie Villas, who is a DJ. Picture: Meagan Pelham, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

79/104Magic Nikki and Charlie Fancy Pants Party … DJaaaaaaaay by Meagan Pelham depicts designer and jeweller Nikita Majajas and her wife Charlie Villas, who is a DJ. Picture: Meagan Pelham, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

(L-R) Charlie Villas, Sally Jackson, Gary Bigeni and Nikita Majajas at UTS Honours Graduate Showcase. Pelham said: “Nikita is such a talented artist. I love her work because it is so colourful and fun and makes me happy. I had the best time DJing with Charlie at the MCA (Museum of Contemporary Art Australia); we were vibing, rapping and just living it up on stage. I’m all about hip hop, good music and having a blast. That’s why I chose them as subjects for my Archibald portrait.”

80/104(L-R) Charlie Villas, Sally Jackson, Gary Bigeni and Nikita Majajas at UTS Honours Graduate Showcase. Pelham said: “Nikita is such a talented artist. I love her work because it is so colourful and fun and makes me happy. I had the best time DJing with Charlie at the MCA (Museum of Contemporary Art Australia); we were vibing, rapping and just living it up on stage. I’m all about hip hop, good music and having a blast. That’s why I chose them as subjects for my Archibald portrait.”

Warwick Thornton by Adrian Jangala Robertson depicts internationally acclaimed director and Indigenous man Thornton. Robertson, who features in a painting himself, is in the Archibald finals for the second time, having previously been one of only two artists to be a finalist in the Archibald, Wynne and Sulman prizes. Picture: Adrian Jangala Robertson, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

81/104Warwick Thornton by Adrian Jangala Robertson depicts internationally acclaimed director and Indigenous man Thornton. Robertson, who features in a painting himself, is in the Archibald finals for the second time, having previously been one of only two artists to be a finalist in the Archibald, Wynne and Sulman prizes. Picture: Adrian Jangala Robertson, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

Thornton has directed movies such as Samson and Delilah and Sweet Country and, like Robertson, also shares his deep connection to Country, family and the role of the past in the present. Photo by Nina Franova/Getty Images for SXSW Sydney

82/104Thornton has directed movies such as Samson and Delilah and Sweet Country and, like Robertson, also shares his deep connection to Country, family and the role of the past in the present. Photo by Nina Franova/Getty Images for SXSW Sydney

Kidjerikidjeri by Joan Ross depicts First nations curator Coby Edgar. Ross is a three-time Archibald finalist and 2017 Sulman Prize winner. Picture: Joan Ross, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

83/104Kidjerikidjeri by Joan Ross depicts First nations curator Coby Edgar. Ross is a three-time Archibald finalist and 2017 Sulman Prize winner. Picture: Joan Ross, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

Of Edgar and the painting, Ross said: “The title Kidjerikidjeri (willy wagtail) is her given name. Coby is a queer woman and the bright red and orange symbolises this. I had the idea of portraying her in a colonial dress. She suggested it be pulled down to the waist to emulate the portraits of her ancestors, photographed by Paul Foelsche in the 1800s. Her body is painted in a wash of ochre and the tattoos were designed by and represent people in her family. She chose to hold red seeds that her ancestor Billiamook gifted to the first colonials. I have used hi-vis (as I often do) as a stamp of colonisation to show that it’s a stain on us all.” Picture: Phil Williams

84/104Of Edgar and the painting, Ross said: “The title Kidjerikidjeri (willy wagtail) is her given name. Coby is a queer woman and the bright red and orange symbolises this. I had the idea of portraying her in a colonial dress. She suggested it be pulled down to the waist to emulate the portraits of her ancestors, photographed by Paul Foelsche in the 1800s. Her body is painted in a wash of ochre and the tattoos were designed by and represent people in her family. She chose to hold red seeds that her ancestor Billiamook gifted to the first colonials. I have used hi-vis (as I often do) as a stamp of colonisation to show that it’s a stain on us all.” Picture: Phil Williams

Lette loose by Sally Ryan depicts Puberty Blues author Kathy Lette. Picture: Sally Ryan, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

85/104Lette loose by Sally Ryan depicts Puberty Blues author Kathy Lette. Picture: Sally Ryan, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

While being circled by sharks, Ryan said of the image: “It was an absolute joy to capture her essence – full of energy and mischief – with her Cronulla roots serving as the perfect theme for my composition. At her request, I added some sharks into the mix – a playful reference to her most recent novel, The Revenge Club. However, Kathy isn’t swimming with the sharks; she is on top of the water, in control and keeping them at bay.” Picture: Richard Dobson

86/104While being circled by sharks, Ryan said of the image: “It was an absolute joy to capture her essence – full of energy and mischief – with her Cronulla roots serving as the perfect theme for my composition. At her request, I added some sharks into the mix – a playful reference to her most recent novel, The Revenge Club. However, Kathy isn’t swimming with the sharks; she is on top of the water, in control and keeping them at bay.” Picture: Richard Dobson

The green man by Evan Shipard depicts ABC’s Gardening Australia host Costa Georgiadis. Picture: Evan Shipard, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

87/104The green man by Evan Shipard depicts ABC’s Gardening Australia host Costa Georgiadis. Picture: Evan Shipard, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

Of Georgiadis, Shipard said: “He is an animated character on screen, but I aimed to capture a quieter, more pensive moment that hopefully offers a fresh insight into this popular man. After spending a day painting him, it felt as if we were old friends. He checked in on the work during breaks, but was careful not to get too close as he was excited about the final reveal.”. Picture: Bega Valley Shire Council

88/104Of Georgiadis, Shipard said: “He is an animated character on screen, but I aimed to capture a quieter, more pensive moment that hopefully offers a fresh insight into this popular man. After spending a day painting him, it felt as if we were old friends. He checked in on the work during breaks, but was careful not to get too close as he was excited about the final reveal.”. Picture: Bega Valley Shire Council

Finger painting of William Barton by Loribelle Spirovski depicts didgeridoo virtuoso William Barton, who has taken the instrument to new heights by engaging with classical music. Picture: Loribelle Spirovski, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

89/104Finger painting of William Barton by Loribelle Spirovski depicts didgeridoo virtuoso William Barton, who has taken the instrument to new heights by engaging with classical music. Picture: Loribelle Spirovski, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

As for why Spirovski chose finger paining, Spirovski said she played one of Barton’s compositions during the sitting. “For years, I’ve been recovering from an injury that has made painting difficult and painful. Many times, I’ve questioned my role as an artist,” Spirovski said. “As the music began, my hand set the brush aside and I dipped my finger into the soft, pliant paint. I turned the volume up, the music guiding me. Without a brush, painting was almost painless. As the portrait painted itself, I felt alive in a way I hadn’t for a very long time.” Picture: NewsWire / Nikki Short

90/104As for why Spirovski chose finger paining, Spirovski said she played one of Barton’s compositions during the sitting. “For years, I’ve been recovering from an injury that has made painting difficult and painful. Many times, I’ve questioned my role as an artist,” Spirovski said. “As the music began, my hand set the brush aside and I dipped my finger into the soft, pliant paint. I turned the volume up, the music guiding me. Without a brush, painting was almost painless. As the portrait painted itself, I felt alive in a way I hadn’t for a very long time.” Picture: NewsWire / Nikki Short

Self-portrait as a cat king by Vipoo Srivilasa depicts the first-time Archibald finalist pretty much as his title suggests. Picture: Vipoo Srivilasa, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

91/104Self-portrait as a cat king by Vipoo Srivilasa depicts the first-time Archibald finalist pretty much as his title suggests. Picture: Vipoo Srivilasa, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

Srivilasa said: “To create this self-portrait, I used my phone in selfie mode instead of a mirror, but I found far more joy in observing my cats than in looking at my reflection.” Generally working in ceramics, Srivilasa chose to do the piece on handmade porcelain tile. Photo: Aaron Francis/The Australian

92/104Srivilasa said: “To create this self-portrait, I used my phone in selfie mode instead of a mirror, but I found far more joy in observing my cats than in looking at my reflection.” Generally working in ceramics, Srivilasa chose to do the piece on handmade porcelain tile. Photo: Aaron Francis/The Australian

With the shadow by Clare Thackway is a self-portrait, drawing on Jungian concepts of the unconscious part of the psyche. Picture: Clare Thackway, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

93/104With the shadow by Clare Thackway is a self-portrait, drawing on Jungian concepts of the unconscious part of the psyche. Picture: Clare Thackway, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

94/104Thackway, who now lives in Paris, is known for her intimate portraits and figurative paintings. She painted the portrait over two years.

The Yellow Odalisque of Brunswick by Natasha Walsh depicts Atong Atem, a South Sudanese artist who uses photography to study postcolonialism and the spread of African culture across the world. Picture: Natasha Walsh, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

95/104The Yellow Odalisque of Brunswick by Natasha Walsh depicts Atong Atem, a South Sudanese artist who uses photography to study postcolonialism and the spread of African culture across the world. Picture: Natasha Walsh, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

Of the collaboration with Atem, Walsh said: “Her photographs, which often play with her own representation, have always captivated me. When I asked her which work from art history she would like to reimagine together, she suggested Henri Matisse’s Yellow odalisque.” Picture: Mark Mohell

96/104Of the collaboration with Atem, Walsh said: “Her photographs, which often play with her own representation, have always captivated me. When I asked her which work from art history she would like to reimagine together, she suggested Henri Matisse’s Yellow odalisque.” Picture: Mark Mohell

97/104Portrait of Sue Chrysanthou by Peter Wegner depicts Sydney defamation barrister Sue Chrysanthou, who has represented a number of high profile clients. Picture: Peter Wegner, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

Chrysanthou arriving at the Lidcombe Coroners Court on the first day of the Westfield Bondi Junction inquest. Picture: NewsWire / Nikki Short

98/104Chrysanthou arriving at the Lidcombe Coroners Court on the first day of the Westfield Bondi Junction inquest. Picture: NewsWire / Nikki Short

From comic to canvas by Kaylene Whiskey is the artists third time in the Archibald Prize, having previously won the 2018 Sulman Prize. Picture: Kaylene Whiskey, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

99/104From comic to canvas by Kaylene Whiskey is the artists third time in the Archibald Prize, having previously won the 2018 Sulman Prize. Picture: Kaylene Whiskey, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

Of the painting, Whiskey said: “Now that I’m an artist myself, I like to say that my artworks are ‘from the comic to the canvas’ because I love to paint my favourite comic book superheroes, especially Wonder Woman. I paint ladies with superpowers because the ladies at Iwantja Arts, where I work, are kungka kunpu (strong women) too! I also love to paint my favourite musicians like Dolly Parton and Tina Turner. I show everyone coming together on Aṉangu Country, sharing bush tucker like tjala (honey ants) and ngiṉtaka (perentie lizard), and having fun, singing and dancing together.” Photo: Merinda Campbell / MAGNT

100/104Of the painting, Whiskey said: “Now that I’m an artist myself, I like to say that my artworks are ‘from the comic to the canvas’ because I love to paint my favourite comic book superheroes, especially Wonder Woman. I paint ladies with superpowers because the ladies at Iwantja Arts, where I work, are kungka kunpu (strong women) too! I also love to paint my favourite musicians like Dolly Parton and Tina Turner. I show everyone coming together on Aṉangu Country, sharing bush tucker like tjala (honey ants) and ngiṉtaka (perentie lizard), and having fun, singing and dancing together.” Photo: Merinda Campbell / MAGNT

Cormac in Arcadia by Marcus Wills depicts 13-year-old Cormac Wright, who appeared alongside Joel Edgerton and Sean Harris in the 2022 film The Stranger watching a mythical scene from Greek antiquity. Cormac is the middle in the green hoodie. Wills won the Archibald Prize in 2006. Picture: Marcus Wills, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

101/104Cormac in Arcadia by Marcus Wills depicts 13-year-old Cormac Wright, who appeared alongside Joel Edgerton and Sean Harris in the 2022 film The Stranger watching a mythical scene from Greek antiquity. Cormac is the middle in the green hoodie. Wills won the Archibald Prize in 2006. Picture: Marcus Wills, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

Self-portrait in the studio by Callum Worsfold is “a raw reflection of me in all my grungy griminess. Although the gas mask was initially a mere prop, adding to the grunge aesthetic, the choice to submit a painting which obscures half my face in a portrait prize seemed a funny idea”. He is a first-time Archibald finalist. Picture: Callum Worsfold, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

102/104Self-portrait in the studio by Callum Worsfold is “a raw reflection of me in all my grungy griminess. Although the gas mask was initially a mere prop, adding to the grunge aesthetic, the choice to submit a painting which obscures half my face in a portrait prize seemed a funny idea”. He is a first-time Archibald finalist. Picture: Callum Worsfold, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

Wendy in the gallery by Lucila Zentner depicts acclaimed artist Wendy Sharpe, who won the 1996 Archibald Prize for a self-portrait. Sharpe has won many prizes and has held over 70 major exhibitions, as well as being appointed an official war artist by the Australian War Memorial and being posted to East Timor. Picture: Lucila Zentner, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

103/104Wendy in the gallery by Lucila Zentner depicts acclaimed artist Wendy Sharpe, who won the 1996 Archibald Prize for a self-portrait. Sharpe has won many prizes and has held over 70 major exhibitions, as well as being appointed an official war artist by the Australian War Memorial and being posted to East Timor. Picture: Lucila Zentner, Archibald 2025, Photo: Art Gallery of New South Wales, Jenni Carter

Archibald winning artist Wendy Sharpe and her mural at the Sydney Jewish museum. For Zentner, a first-time Archibald finalist and practising doctor, she said Sharpe’s 2024 Spellbound exhibition had inspired her. “I immediately had an idea for a painting that was small and secretive – a window into a rich inner life. By using Wendy’s motifs and paintings for the background, distorted through my lens and brush, I acknowledge and celebrate that another person’s inner life is unknowable, even allowing for a lack of fear and censorship in art,” Zentner said.

104/104Archibald winning artist Wendy Sharpe and her mural at the Sydney Jewish museum. For Zentner, a first-time Archibald finalist and practising doctor, she said Sharpe’s 2024 Spellbound exhibition had inspired her. “I immediately had an idea for a painting that was small and secretive – a window into a rich inner life. By using Wendy’s motifs and paintings for the background, distorted through my lens and brush, I acknowledge and celebrate that another person’s inner life is unknowable, even allowing for a lack of fear and censorship in art,” Zentner said.

Original URL: https://www.heraldsun.com.au/entertainment/awards/jackie-o-as-youve-never-seen-her-before/image-gallery/d7ce51682551be2627c2f1ffa96390c0

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