There are plenty of high notes in soprano Julie Lea Goodwin’s career
THERE are plenty of high notes in talented soprano singer, Julie Lea Goodwin’s career.
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Who: Opera Australia principal artist Julie Lea Goodwin
Where: Padstow with her mum Karen and sister Jodie
Favourite thing: I purchased this dress in New York about six years ago. I wanted something flowing and comfortable and this is perfect to throw over swimmers down at the beach, or for a relaxed lunch.
Inspiration: I love natural light, having all the windows open and minimal clutter. It’s also lovely having scents around the house and music playing to lift my mood or give me extra energy.
Home is what you make it, to be honest. If I am touring with a production I have to create sense of home in different cities. So it’s important to own the space and make it comfortable and relaxing
SOPRANO dynamo, Julie Lea Goodwin, always knew she wanted a career in musical theatre, but even she was surprised to have been plucked from obscurity at just 19 to perform opposite Anthony Warlow in The Phantom of the Opera.
“As a child, I really enjoyed singing, but I was quite a big fan of sports and loved ballet,” Julie says. “People said I was good at singing and I thought I might be a professional performer, but I didn’t know in what capacity.”
Since her whirlwind introduction to the stage with Opera Australia, she has played Maria in West Side Story, Grace in Annie and performed the role of Susanna in Le nozze di Figaro (The Marriage of Figaro).
“I knew at some point my focus would be classical singing, so I auditioned for Opera Australia and was invited to join their young artists program (Moffatt Oxenbould Young Artists Program),” she says. “It’s the perfect way for young artists to enter the industry.”
Julie often sings in a foreign language, and she has worked with dialect coaches to ensure her pronunciation is flawless. She has also done courses in Italian, French and German.
Having toured extensively, Julie’s apartment was often unoccupied, leading the singer to move back in with her mum in Padstow in Sydney’s southwest.
“It just made more sense,” she says.
Working predominantly out of Sydney and Melbourne, Julie says one of the greatest things about her job is the flexible hours.
“There is a really intense period of preparation and rehearsal, then by the time of the performance you are ready to go — the adrenaline keeps you going,” she says. “I love that I get to spend the morning at the beach working on my repertoire for the evening.”