The next design wave is closer than you think
A new wave of subtlety and sophistication is making the local design scene one to be proud of
Forget what you know about Australian designs. For the longest time, it seemed most of what was obviously Australian was more kitsch than cool. Epitomised by the likes of much-loved artists such as Ken Done in the ’80s, the palette was bright and irrepressibly upbeat.
But in recent years, a new wave of subtlety and sophistication has swept through the local design scene, celebrating our flora, fauna and heritage in stunning colour and pattern that is surprisingly easy to live with.
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Our unique landscape has long been a source of inspiration, most notably in the years after Federation at the start of last century where everything from door handles to wall vents was festooned in waratahs and wattle.
Indeed, resurgence in Australian motifs tends to coincide with periods of national pride, such as the 1988 bicentenary. The most recent revival could be attributed to the Sydney Olympics with early uptakers releasing locally inspired wallpapers of banksias in the early 2000s. Designer Catherine Martin has since released rugs celebrating everything from lyrebirds and cockatoos.
More recently, House of Heras designer Silvana Azzi Heras, who worked under Catherine Martin before opening her own studio, released a range of rugs for Designer Rugs featuring waratahs, gumnuts and wattle drawing on the traditions of the 20th century Arts and Crafts Movement. Now everything from flowering gums and banksias to kangaroo paw are popping up.
Seven years ago, director Sophie Tallow opened Utopia Goods, celebrating local flora with vivid colour and bold pattern. With strong sales in the US and the UK, she says the world is now starting to take notice — and we should too.
“We’re starting to get over that cultural cringe and instead enjoying colour in a very playful way,” she says. “Native flowers are beautiful to draw and they’ve been overlooked for so long.”
This new wave has also made way for a growing collective of indigenous designers, as Aboriginal designs move beyond generic souvenirs and into domestic settings. Retailers such as Koskela are forging collaborations with indigenous communities to produce uniquely beautiful Australian homewares. Koskela co-founder Sasha Titchkosky says connecting designers with consumers is long overdue.
“There’s been a real growth in Aboriginal and Torres Strait Islander designed textiles that are now available,” he says. “It’s fantastic to see stories being told using this avenue and this culture being celebrated in this way.”
Alternatively, Queensland-based Chaboo is owned and run by indigenous artist Casey Coolwell and her partner Roy Fisher, creating beautiful bowls, platters, cups and more perfectly suited to relaxed coastal decor.