Review: Fantastic Four reboot a half-cooked superhero movie
REVIEW: It’s been slammed the world over for its lack of action and bad acting. So is the new Fantastic Four really that bad? Leigh Paatsch gives his verdict.
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Fantastic Four (M)
Director : Josh Trank (Chronicle)
Starring : Miles Teller, Kate Mara, Michael B. Jordan, Jamie Bell, Toby Kebbell, Reg E. Cathey.
Rating : **
Fantastically Four-lorn
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The new Fantastic Four keeps the fantastic stuff very well hidden indeed.
As for the quartet of young actors taking over this well-worn Marvel Comics commodity from its previous screen guise — remember those two cheesy F4 movies last decade with Jessica Alba and a pre-Captain America Chris Evans? — let’s just say the cast never had a hope of jump-starting the stalled re-origin story told here.
Seriously, Fantastic Four just has to be the most long-faced, lead-booted and fun-free superhero movie since Man of Steel turned Superman to rust.
The (in)action begins with a young Reed Richards (Miles Teller) seeing out his high-school years with an unwanted reputation as a deluded science prodigy.
For reasons never quite explained — there are so many leaps of faith required in this movie they should include a springboard with the price of the ticket — Reed has almost perfected the ability to teleport matter between dimensions.
This radical achievement is recognised only by a secret research think-tank known as the Baxter Institute, whose head honcho Dr. Franklin Storm (Reg E. Cathey) recruits Reed into the fold.
It is here that Reed scores some long and lack-lustre get-to-know you time with Storm’s two tech-savvy kids.
Sue (Kate Mara) looks and frowns at computer screens a lot. Johnny (Michael B. Jordan) is a bit of a rebel, and loves cars so much he initially seems to have absentmindedly wandered off the set of the next Fast & Furious movie.
Then there is the ominously-surnamed resident hacker of the Baxter Institute bunch, Victor Von Doom (Toby Kebbell).
After getting a gizmo going that can send a chimp to and from an alternate universe, Reed persuades his childhood best friend Ben (Jamie Bell) to join he, Johnny and Victor for a joy ride into the great unknown. As for Sue, she’ll be watching on from a monitor on her desk.
By the time they return, some radioactive business has irreversibly transformed all aboard. Reed now has four very stretchy limbs. Johnny is a walking, talking human bonfire. Ben is a punchy pile of rocks. Victor is simply a glowing green streak of evil.
And Sue (even though she didn’t even take the trip) can now turn invisible at the drop of a hat, and also float here and there inside a force-field bubble.
Due to decidedly urgency-free plotting and performances that at best embody a grim, let’s-just-get-this-over-with professionalism, Fantastic Four chews up much of its screen time doing not very much at all.
Having taken an eternity to walk us through a very basic set of characters and conflicts — a task most modern superhero movies can deal with inside the 30-minute mark — Fantastic Four proceeds to jog through a marginally exciting final act without ever breaking a sweat.
While it never quite becomes a bad film, it can never quite make you forget it is a botched film.