Movie review: Tusk
VETERAN US indie filmmaker Kevin Smith tries his hand at a horror flick with Tusk, the story of a bunch of misfits in rural Canada.
VETERAN US indie filmmaker Kevin Smith tries his hand at a horror flick with Tusk, the story of a bunch of misfits in rural Canada.
REVIEW: The Judge brings courtroom drama back to the big screen with two actors of the highest calibre — Robert Downey Jr. and Robert Duvall.
REVIEW: The elderly New York fashion plates of Advanced Style charmingly pay no heed to what’s on trend.
REVIEW: Dracula Untold ain’t no classic but it’s clear the cast is having a bit of a lark, and that’s no bad thing.
REVIEW: Conjuring prequel Annabelle is a solid horror flick but doesn’t live up to the standards of its parent.
REVIEW: Gone Girl is one of the best films that will be released in 2014. But do what you can to see it without any hints.
REVIEW: Life of Crime may be a low-rent version of American Hustle, but Jennifer Aniston and her co-stars will get your attention.
REVIEW: If you love Denzel Washington and action-packed films, The Equalizer is long, but a violent revenge flick you’ll enjoy.
REVIEW: Josh Lawson’s jarring comedy The Little Death is erratic and insensitive, despite his attempt at making light of sex, love and the taboo.
REVIEW: The Skeleton Twins soon syncs up to an engaging comic rhythm that will ultimately propel both the film and its audience to a better place.
NEED help choosing the most appropriate movie for your kids this school holidays? Movie reviewer Leigh Paatsch has done the hard yards for you.
FILM buffs with a love for cinema’s secret history must make tracks for this extraordinary documentary ASAP.
IMAGINE a latter-day Lord of the Flies fused with a discarded plot line from TV’s Lost. If you like the sound of that, The Maze Runner is bound to get you in.
IT’S one of the cleverer, more ambitious and challenging Australian films of recent times. What’s more, The Infinite Man is a comedy.
IF you are born with the right set of ears, you don’t just listen to punk rock. You live it. That’s the message behind We Are the Best!
THINK booze, broads and bullets – Sin City: A Dame To Kill For feels more disjointed than the original Sin City, but there’s not a dull moment.
ZACH Braff impressed Hollywood with Garden State, but his new film Wish I Was Here had 60,000 Kickstarter investors, who may be disappointed.
THIS stop-motion animated stunner’s calculated combo of the gorgeous and the grotesque is anything but your average child-pleasing cartoon.
THIS cheaply-animated rewrite of the Tarzan legend stars Kellan Lutz, as the famous vine-swinging, loincloth-sporting man of the jungle.
HEARTBREAK is always but a breath away in The Immigrant, an intense period drama that is as beautiful as it is bleak.
HAVEN’T got the stomach for The Hunger Games? Not a fan of Divergent? Try The Giver, which is almost guaranteed to polarise audiences.
FANS of the Step Up movies will be perfectly content with the hard work — and even harder twerkin’ — that has gone into choreographing this latest instalment.
YOU remember the Teenage Mutant Ninja Turtles, right? There were the toys, TV shows, movies and yes, the cheese-injected pizzas – now two decades later, they’re back.
THE martial arts guru behind Kill Bill and Crouching Tiger, Hidden Dragon is at the top of his game, but at times, the action is lost.
EVEN the acting chops of Chloe Grace Moretz can’t save this low-grade weepie film from being a faulty version of The Fault In Our Stars.
HOW to Train Your Dragon 2: Some films hit the ground running. This sequel knows full well it can go one better than that.
GRACE Of Monaco: The bank balances of rich fat cats are at stake. Only Nicole Kidman’s Grace can save the day. What will she do? Don’t ask. What should you do? Don’t watch.
EDGE of Tomorrow: It’s the cleverest affair to carry the Cruise brand in years. Even if you’ve written the bloke off, you might just want to take a look.
THE Fault in Our Stars: Shailene Woodley gives a pitch-perfect lead performance in a movie that hits the tear ducts of its target audience like a weep-seeking missile.
MALEFICENT: It may go down in history as the cheapest-looking $200 million movie ever shot, but an inspired Angelina Jolie stops the rot.
A: NOT really. A Million Ways to Die in the West has a gastrically panicked Neil Patrick Harris, some offensive jokes and an ungainly lead. And that’s just the start.
GARDENING With Soul: A no-nonsense nonagenarian nun delivers pearls of wisdom in this absorbing and genuinely memorable documentary.
BY THE twenty-minute mark of Maleficent, it looks for all the world as if Angelina Jolie has bet her long-awaited movie comeback on the wrong horse.
UNDER the Skin: Don’t try to decipher what happens when Scarlett Johansson’s character lures single men to her home. In all likelihood, you will be wrong.
THE Trip to Italy: Steve Coogan and Rob Brydon serve up a delicious mix of whip-smart, world-weary banter and celebrity impersonation duels.
SON of God: A likable, if limited actor delivers the messiah as a mischievous male model in this well-intentioned biopic.
X-MEN Days of Future Past: This joint venture for two major Marvel movie stablemates should be delivering the best of both X-Men worlds, but at times it’s a total drag.
SUNSHINE ON LEITH: How these two inspired the Scottish Mamma Mia! — an irrepressibly appealing jukebox musical.
IDA: It’s shot in a starkly foreboding black-and-white with long periods of absolute silence but this film is quite simply a masterpiece.
IT’S got a ripper cast and the 3D effects are breathtaking. Butsomething’s not quite right with X-Men: Days of Future Past , says Leigh Paatsch.
THE BROKEN CIRCLE BREAKDOWN: This weapons-grade weepie earns each and every tear it is guaranteed to squeeze from the driest of eyeballs.
CHILD’S POSE: When her son kills a small boy in a car accident, iron-willed Cornelia will stop at nothing to save him from the consequences in this stunning character study.
THE ZERO THEOREM: The opening shot — Christoph Waltz sitting at his computer in the nude — emits an instant warning sign this movie won’t be playing the crowd-pleasing card.
GODZILLA: It’s a long wait to see the star of the show, but an extended monster v “MUTO” smackdown on the streets of San Francisco will make it worth your while.
NEW employee James looks exactly like Simon. Even wears the same clothes on the same day. Without fail. So why does no one bother to notice?
RYAN Gosling ditches the PR puff to reveal plight of the modern actor as Alec Baldwin tackles Hollywood heavyweights in Cannes caper.
LESS 12 Years A Slave, more Downton Abbey — this period drama is stuffed to the brim with heated words and frosty glances in lavish drawing rooms.
DESPITE a few bland ingredients, the likable Chef serves up plenty of feel-good moments for those with an appetite for such fare.
IT’S a blockbuster movie season headed our way. Leigh Paatsch previews the monster hits and super successes about to hit our screens.
HERE we have a genial, gentle rom-com with a difference from writer-director John Turturro.
Original URL: https://www.dailytelegraph.com.au/entertainment/movies/leigh-paatsch/page/31