Paul Kelly review: Full band and iconic vocals stun MECC into silence
He is the grand man of Australian music with a catalogue that is a soundtrack of generations. And Mackay experienced his magic at the MECC.
Mackay
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Susan O’Connor waited more than 30 years to see the music maestro Paul Kelly live.
On Wednesday night, along with more than 1000 avid fans eager for live and first-class music, she lived her dream.
“I finally got to see him,” the West Mackay resident said after meeting opening act Fanny Lumsden in the MECC foyer after two hours of Kelly and his full band holding the theatre in rapture.
“Oh it has been … oh 30 years. Something always came up.”
Between children, life and other things, she had never seen the man whose music catalogue had become the soundtrack of summer sports and pub sessions.
But three decades – or more – of waiting was rewarded. Kelly did not, and could not, disappoint with the legendary singer-songwriter sharing the stage with his full band.
His songbook is ingrained in the minds of generations, finding a fresh following with How to Make Gravy — a rendition of which brought the house down in that palpable manner for which Kelly is known.
Whether alone on stage with just a guitar and a chair or with his impeccably precise and sound-perfect band, the song that is now an icon reverberated towards the end of his set.
And which other music legend of any genre could hold more than 1000 people in complete silence as they recited a poem? Few, if any, but that again sets Kelly apart, stunning the audience with his Clancy of the Overflow delivery.
Entwining newer songs with those now generational (think To Her Door) and others anthemic (Dumb Things), the 66 year old’s voice was true and passionate, proving again why he is the grand man of Australian music.
The Gonnella family from West Mackay wanted their hits of Little Things, Dumb Things, From St Kilda to Kings Cross and Making Gravy, undoubtedly leaving satisfied when each was played with gusto.
David Hoare wanted Leaps and Bounds while his daughter Ella was keen for To Her Door, a rendition of which brought the house down with its extra energy on stage.
Initially struggling to recall the title, Brice Whittaker was keen for his favourite, Careless, while Ben Whittaker was another fan of Little Things.
Super fan Debbie Pruden, who guessed she had seen Kelly at least 10 times, said he was like a fine wine – just getting better with age – with his older songs among her favourites.
To share the stage with Kelly and his band was an honour opener Fanny Lumsden and the Thrillseekers duly recognised, and warmed up the eager audience with an enthusiasm of an artist back on the road after Covid-induced cancellations.