As the world’s top athletes began to pour through the airport and a COVID-menaced Tokyo entered its final countdown to the Olympic Games this Friday, an immense, disembodied human head rose above the city to open the Cultural Olympiad.
The merits of the giant hot air balloon as a piece of art are for others to decide. As a piece of airborne mega-dissonance, it is somewhere between the flying gargoyle in cult film Zardoz and the Jewish mother in the skies of Woody Allen’s New York Stories. Neither seems a natural symbol of global athletic endeavour, but a $US25 billion ($33.8 billion) showcase is never just about sport.
Financial Times