I peer through the window of a stone and wood cabin in the remote high country of New Mexico that was assigned to Robert Oppenheimer in 1943. There’s little change visible in what is still known as Bathtub Row – the handful of small cabins, boasting bathtubs, where the most brilliant scientists working on the atomic bomb at Los Alamos were housed.

The Oppenheimer movie makers even bequeathed the household furniture they used in the film to the Manhattan Project National Historical Park.